Observations Along The Road... at Dreamwidth

Have you ever watched a show or listened to a podcast, and wanted to learn a little bit more about the story behind the story? Here are a few of those for you:

• Gastropod. Gastropod is one of my favorite podcasts, exploring the connection between science and food. Here’s an interesting story about the two women who, alone, produce the podcast, and how they have turned it into a steady income. Gastropod began as an ambitious passion project in 2014, and after more than three years and 72 episodes, the duo has amassed an audience of 100,000 downloads per installment, a growing roster of advertisers and more than 580 five-star reviews on Apple Podcasts.
• Wait, Wait, Don’t Tell Me. Another favorite podcast is NPR’s “Wait, Wait, Don’t Tell Me”. Here is the story behind the quiz show.  The show is a bona fide hit. According to NPR’s audience insights and research team, more than 4 million people listen to Wait Wait each week on the radio. Plus, according to analysis by Podtrac, the podcast of the show was the 10th-most-downloaded of 2017.
• Animaniacs. The good news is that Animaniacs is coming back as a series; the bad news is it on a streaming platform, Hulu. In conjunction with that, however, Mental Floss reposted their summary of everything you wanted to know about the Animaniacs.
• Quantum Leap. Here’s an interactive map of everywhere that Sam jumped.

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Prologue. As I’ve noted before, I listen to a lot of podcasts. Perhaps too many, as it takes a lot of work to keep current; this is partially because there is such a resurgence in the number of really good podcasts. I’m learning about more and more everyday, and there just isn’t time to listen to the podcasts that sound interesting. Now I’m “old-school” on my podcast listening: I actually download them daily to an actual iPod, as opposed to using streaming data to listen to them on a mobile platform. I find that I can only listen to spoken-word podcasts in certain environments (primarily those where I’m not consciously using the “reading” portion of my brain): driving, shopping, working out, walking. Further, I can’t just sit back and listen — if I do that, I’ll fall asleep (which I blame on conditioning from the vanpool). As a result, I’m regularly backed up on podcasts; my typical backlog is on the order of 15 podcasts, not counting Woodsongs.

Boy, I’m starting to feel like Ira Glass opening an episode of This American Life (one of the podcasts I listen to).

So the other day, I’m shopping at Trader Joes and listening to a recent episode of the Startup podcast. Startup was the first podcast from Gimlet Media, and originally told the story of the startup of Gimlet. It has gone on to look at other startups, such as DatingRing, but it occasionally tells Gimlet’s story. Right now, they are doing a half-season on Gimlet, and the latest show tackled the question of Diversity.

I strongly urge you to give it a listen. This episode explores the level of diversity of Gimlet Media. Although they have made an effort for male/female balance, they are working to correct a significant white/people of color balance. The episode explores why that divide exists, how diversity begets more diversity, and why the question of diversity is more than skin deep. That’s meant to be literal: for there are questions of diversity across religion, orientation, political spectrum, etc. Alex Bloomberg of Gimlet rightly points out why diversity is so important: it enables them to tell a better story that exposes all sides of an issue.

This post consists of three acts (no, that’s not right). Well, there are three articles that came across my feeds this week that illustrate this so well.

Act I: Dating Apps. The first was a post by Ferrett Steinmetz over on LJ (you do remember LJ, right). It explores a new dating app: this time it is one developed by women for women. Dating is similar to porn, in that what women want and need in the experience is often drastically different than men, and yet it is mostly a male-centric industry that is producing the product. This results in an inherent bias in the product towards the male point of view. Nowhere is it clearer than this dating app: whereas men want to see the widest variety of women, the women only care about those men who are somewhat local, who are congruent on interests, and who have a mutual interest in them. In fact, it restricts the profiles that you can see to those where there is a mutual match of criteria. This is a clear example of what a different perspective can bring, and why that perspective is so important.

Act II: Wearing the Hijab. The second was an article in the Washington Post, which was subsequently echoed by other outlets such as NPR. The article looked at the recent movement to support Muslim women by wearing head scarves as a show of solidarity. The problem? No one asked Muslim women what they thought about this. Modern Muslim women haven’t adopted the headscarf out of choice or even out of religious reasons; it has been forced upon them by the male-dominated atmosphere of Islam. They would prefer an approach that actually encouraged Islam to liberalize its attitude towards woman, instead of reminding them of their second class citizen status. It is as if society said they wanted to support Jews by dressing in long black frock coats, growing long beards, and wearing tzittzit and kippot. So where did the headscarf notion come from? People who did not understand the Islamic culture, but “meant well.”

Act III: The Theatre. Broadway Bullet, Episode 608, was specifically focused on women’s voices and diversity in the theatre. Again, this is an issue I’ve brought up many a times — as recent as last week, in fact. In order to draw audiences to the theatre, we need to have diversity in the writing of the shows. We need diversity in the casting so that what is on stage reflects what is (or what should be) in the audience. We need diversity in the back and front of house production and creative positions as well. This diversity ensures we hear the voices we need to hear. But far too often, theatre go for what is safe, and that is shows often by white men aimed towards the white mindset.

Post-Logue. These are just three examples, and show why diversity is so important, and is so much more than tokenism. It is a change of attitude, a desire to bring not only diverse people but diverse viewpoints to issues. These articles — and it is emphasized in the Startup Podcast — show how these diverse viewpoints can improve the end product, often by coming at issues from a very different place and experience.

P.S.: You’re probably wondering why I chose the userpic. Two Gentlemen of Verona — at least the  musical version from the New York Shakespeare Festival — was one of the first productions that emphasized diversity and color-blind casting. It wasn’t a bunch of white men spouting Shakespeare.

P.P.S.: So what podcasts do I listen to? Here’s the current subscription list: The Allusionist, BackStory, Broadway Bullet, The Ensemblist, Freakonomics; Gastropod; Invisibilia; Irish and Celtic Music Podcast; LA Observed; Opening the Curtain; The Moth; NPR Technology; Planet Money; The Producers Perspective; Quirks and Quarks; Reply All; Science Friday; The Specialist; Startup; Theater People; This American Life; Wait, Wait, Dont’ Tell Me; The Woodsongs Old-Time Radio Hour; and 99% Invisible. There are quite a few more I’d love to add to the list, but I just don’t have the time. [ETA: Over the weekend, I added Surprisingly Awesome and Answer Me This.]

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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Today’s news chum post continues the trend of using a song lyric in the title. Does anyone recognize the song? If you figure it out (or cheat), I’ll note that even thought the line fits the post, the overall song doesn’t really. In any case, today’s post — focused on going nowhere — is about transportation in the news. Transportation, in fact, that may get us nowhere fast. Here are a few transportation articles I’ve corrected, while I eat my lunch…

• Subway Maps. I’m sure you’ve seen them by now — the various abstract subway maps that cities develop to try to explain their subway systems. Some work, some don’t. Here’s a good explanation of why designers can’t really stop redesigning them.
• I Know Where You Are. One thing modern computerization and GPS has given us is the ability to know where a subway car is on the track, permitting a countdown clock to show you when it will arrive. Well, except in New York City. The New York City Subway system does not have countdown clocks… because it has no idea where its trains actually are.
• Traffic on the 5s. Growing up in Los Angeles, you become dependent on the traffic reports. KNX 1070 had them on the 5s. KWFB, when it was doing news, had them on the 9s. They were essential for navigation. But today? The presence of traffic apps such as Waze and Google Maps had made over-the-air traffic reports less of a market factor, and they are starting to disappear. Of course, this doesn’t answer the question about using the phone when driving…
• Sure, We Have a Plan… Traffic in LA is horrendous, and recent research has shown that widening highways is not the answer. How do we improve things? Well, the Libertarian Research Foundation has a plan. They say bikes and buses are not the solution to traffic congestion—making more room for cars is. They have proposed a $700-billion plan to build an extensive network of new tunnels and expressways that they say would help free up some of the city’s most congested areas of traffic. The plan includes things like a 710-extension tunnel, a tunnel under downtown LA (just imagine the unexpected utility relocation costs there!), a tunnel under the Santa Monica Mountains, a tunnel under the Santa Susanna Mountains between LA and Palmdale… you get the idea.
• Looking back. Last week, I mentioned the AA Legacy Liveries. Here are photos of more airlines in liveries of older carriers.

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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Today’s weekly news chum stew leads off with a few items related to radio and items on the radio…. and goes rapidly downhill from there:

• Living By The Clock. This is an article from a few weeks ago, but it’s still interesting: On November 18th, NPR changed their news magazine clocks. Now you probably have no idea what this means. The clocks are the second-by-second scheduling of what happens when during the newsmagazines, including newscasts, music beds and funding credits. They also affect when stations can insert their own local content. In announcing the date for implementing the clocks, NPR also said that it will not impose limits on stations’ ability to replace newsmagazine segments with programming from other producers. That proposal had prompted criticism from station programmers, who argued for control over programming choices, and producers, whose programs would be excluded under the rule. This directly relates to the next article: some of those producers are podcast producers, whose segments are often included in NPR news magazines (and thus, it brings them in money).
• The Podcast Is The In-Thing. If you listen to podcasts (as I do), you know we’re in a new era of podcasts. The “This American Life” podcast has spun off a new #1 podcast, “Serial“. Roman Mars, of 99% Invisible (who was very concerned about the above clock change) used his Kickstarter success to create Radiotopia, and expanded it with this year’s Kickstarter to add new shows. Producer Alex Bloomberg left Planet Money to found a new podcast company, Gimlet Media, and is documenting the process in a new podcast. The Verge has an interesting article on this phenomena: “The New Radio Star: Welcome to the Podcast Age“. Never mind the fact that the “pod” has been discontinued, and no one really “casts” anymore. That’s like saying television is confined to networks over the air.
• You Can Get Anything You Want. Traditions are funny thing. Who would think a TV show would span a tradition that revolves around a pole? Here’s another one for you: A tradition of listening to a particular song on Thanksgiving, simply because the event described in the song happened on Thanksgiving. This latter one, of course, is referring to Arlo Guthrie’s song “Alice’s Restaurant”. Here’s an interesting article about Arlo looking back on the song, which turned 50 this year.
• Shaming and Discrimination is Never Acceptable. The events in Ferguson and in New York have finally started to make people aware about White Privilege, and being aware is the first step to doing something about the problem. But there’s another type of privilege people aren’t talking about: Thin Privilege. Our society is biased towards the thin — all it takes is one airplane ride or sitting at a booth in a restaurant to realize that. Thin Privilege can also be life threatening. Here’s an interesting article that explores that aspect of fat hatred: the particular fact that the auto industry refuses to make large-sized crash dummies, and so crashes are more likely to be fatal to the obese than the thin.
• Fighting Antisemitism. Here’s an interesting Indiegogo project: Yaakov Kirschen of Dry Bones is fundraising to turn Dry Bones into an antisemitism fighting engine. If you’re not familiar with Dry Bones, look here. I haven’t yet decided if this is an effect tool in the fight, or an attempt by Yaakov to obtain steady funding (after the success of his Dry Bones Haggadah). Still, anything that fights is a good thing.
• Your Username is Invalid. We’ve all been taught in security that you shouldn’t give away information in the login error message, and so you don’t indicate whether it was the user name or the password is bad. But here’s an article that points out that such care doesn’t buy you anything. It’s an interesting point of view.
• Should I Upgrade? For years, I’ve been using Paint Shop Pro. I’m currently on the last JASC version, Paint Shop Pro 9. PCWorld has a very interesting review of the current Corel Paint Shop Pro X7,  and I’m debating upgrading. Thoughts?

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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Just because I’m in Portland doesn’t mean I can’t prepare you some tasty news chum stew for breakfast. Let’s dig in, before you all decide to abandon me for Voodoo Donuts… luckily, I’ve been able to come up with a thread for this — no overall theme, only a connection between each article and the next…

• Twisted in a Pretzel. Before NPR wrote about it on Friday, the LA Business Journal was writing about the invention of the Peanut Butter filled pretzel (which is where I saw it), how a company named Maxim’s pioneered the product 26 years ago, and how TJs picked it up and sold it. The crunchy snack became a major part of Maxim’s business, and Maxim oversaw the production by companies such as ConAgra. Then TJs decided to cut out the middleman… The point of the article being that even companies we perceive as “nice and good” are, at their heart, businesses.
• Put a Ring on It. Perhaps you saw, a few weeks ago, the video showing how the entire engagement ring custom was designed by DeBeers to sell diamonds. Here’s another bit of news from the jewelry industry. Kay Jewelers is being bought by Signet, the owner of Zales. Signet operates 1,400 U.S. stores, including its higher end Jared chain. Zale has about 800 Zales and Gordon’s Jewelers stores, as well as 630 Piercing Pagoda mall kiosks. In Canada, Zale operates the successful Peoples Jewellers chain. The net translation of this: most of the jewelers you see in malls are all owned by the same parent company. As always: support local business; buy from a local jeweler.
• All Generics Are Not Equal. Knowing from where you buy is important. In the US, when you buy brand name medicine, you know what you are getting and who made it, but you pay a big price for that knowledge. If you buy generic, you save money — but are you getting the equivalent? The answer… not always. In particular, it appears that medicines manufactured in India are creating safety concerns. This one actually hit home: my wife has one medicine that used to be brand-name only that has finally gone generic. Our 90-supplier recently sent us the generic. My wife checked with her doctor, and the first batch was fine — it was made in England. He told her he only wanted her to take medicines made in first-world countries. The second batch — from India. We had to coordinate getting it returned and replaced.
• How We Look at the World. The mention of first-world and third-world makes one think about how we view the world. Here’s a question for you: Have you ever thought about why North is always at the top of a map? Al-Jazeera America did. What’s interesting is looking at the alternate maps — your bearings are totally off. By the way, having N at the top is a recent invention; N has been at the top only for about the last 500 years.
• Whose on Top. It’s always a battle to determine who should be at the top of the heap. Alas, such a battle is happening over Casey Kasem — the DJ who used to be ubiquitous on the radio. Kasem’s children from his first marriage are battling over the right to visit their father. Who are they battling? Jean Kasem, his current wife. Jean, if you recall, played Nick Tortelli’s wife on Cheers. Note that this isn’t a battle over money — only the right to visit their father.
• Hello Muddah, Hello Faddah. Speaking of mothers and fathers, Mark Evanier writes of a recently released collection of Allan Sherman’s early parody material. For those of us who remember who Allan Sherman was, this is of great interest. Mark notes: “But let me warn you of two things. One is that some of the 13 songs on this CD are kinda short. The whole thing runs around 34 minutes. And the other thing is that the audio quality is not wonderful. If you go to this page to order (and I’m not suggesting you not, especially if you’re a big Sherman fan), play a few samples so you can hear the quality of the recordings you’ll be getting.” Still, new Sherman music is quite tempting.

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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Today’s news chum brings you three articles all related to media and music, in some form:

• A Grand Park. Last Sunday, we took Metro to the Ahmanson. When we got out downtown, there was this wonderful party going on in the new Grand Park.  There were people enjoying themselves to free music, kids rocking out on their dad’s shoulders. There were food trucks and kids playing in fountains. Only later did I find out what it was: Sunday Sessions at Grand Park. I must say that it was delightful, and it was really neat to see my city doing this.
• Dr. Demento. Growing up, I regularly listened to Dr. Demento on KMET (followed by Flo’ and Eddie by the Fireside). The Daily News has a nice article on what the good doctor is doing today. It discusses the death of novelty records, and the ability to do anything “novel” on radio today. The doctor, not surprisingly, has moved to internet broadcasts. He’s using a paid subscription model, and I’m not sure novelty records would be enough to entice me.
• Surviving Games. Here’s an interesting idea: Someone is bringing together reality TV stars from Survivor and Big Brother… to play boardgames. The notion, developed by a former Survivor player turned podcaster, is to take some of the top players and pit them against each other. This could be entertaining…. but the game they have chosen is Risk (bleh). To my eyes, it would be much more interesting to bring these people together and have them play Diplomacy. Watching these players take their skills at strategy and negotiation (as well as alliances) could be quite entertaining. I’ve always viewed Survivor as a real life version of that game. But Risk? That’s just dice rolling.
• Bad Reviews. I’ve written in the past how bad reviews can be entertaining. Given that we have a new M. Night Shyamalan movie, expect to be entertained — not by the movie, but by the reviews. The LA Times says, of “After Earth”: “There is no small irony that this sci-fi action adventure is about surviving a serious crash. The scorched earth left behind by “After Earth” is sure to leave a scar on everyone involved.”. It gets better. How about: “Speaking of overkill, flashbacks, thousands of them, become things to be feared as much as any space alien.” Or perhaps “As Gen. Cypher Raige, Smith has never seemed stiffer, like Patton without the personality. It’s as if his Ranger suit were two sizes too small and he’s trying to just deal with it.” The reviews conclusion? “If you’re still wondering whether “After Earth” is a disaster, the question is not if, but how big?” If you were thinking that’s just one review, here’s what the Atlantic has to say: “So I feel it’s incumbent on me to note that with his latest offering, After Earth,the writer-director seems to have arrested his precipitous decline. This movie is no worse than his last two.”

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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A number of articles I’ve read in the last week have highlighted an increasing digital divide in our society. This subject and these articles have been running around my head all week, so while I eat lunch I’d like to share them with you and get your thoughts.

What triggered the subject was Harry Shearer’s Le Show. Its host station, KCRW 89.9 FM in Santa Monica, abruptly yanked the show off the airwaves and moved it to be Internet-only. KCRW believes that growth is going to be on the Internet side, and those that listen to the show will find it there. Now a number of broadcasters have done this in the past — think Adam Corolla or Tom Leykis –but arguably the audiences for those shows is very different than the NPR/Public Radio audience. I think Shearer captured my concern very well:

People are sawing the legs out from under the idea of radio as we speak. Television, when it came to prominence, was supposed to kill radio outright, and it didn’t. The question is: Will online audio kill radio broadcasting? I listen to about 80 percent of my audio content online, and I look at a lot of my video content online, so I’m not a Luddite in any sense of the word. But that doesn’t mean I don’t believe in radio broadcasting.

A lot of people driving in their cars don’t have the facility or haven’t mastered yet getting online audio into their car’s audio system. A lot of poorer people don’t have the wherewithal for broadband everywhere that they might want to hear something, and older people don’t want to mess with that stuff. Radio better be around, because in any kind of emergency, my experience has been the first thing that goes down is the electric grid, and the second thing that goes down is the telephone grid. And if you don’t have a portable battery-powered radio, you are seriously out of luck. People who are trying to dismantle this system are way in front of themselves, and may not be doing the public a service.

I, too, have seen a growing number of articles predicting the demise of terrestrial radio. NetFlix is predicting the death of the TV channel. The problem is that the movement to Internet  based approaches for TV and Radio are not available to all — due to either the financial or intellectual cost of the new technology. Do we have the right to disenfranchise these people?

But the problem is not just radio. Look at music in general. iTunes is turning 10, and there are numerous articles on the changes iTunes has brought. One article notes the following:

The iTunes store dominated by downloads “is on its last gasp,” says Bob Lefsetz, a former music industry lawyer and blogger at the Lefsetz Letter. “YouTube is where most young people listen to music now.” (More than 1 billion people visit the site each month.)

“When iTunes turns 15 years old, we won’t be talking about downloads, because Apple won’t be selling them,” he says.

Here’s another quote from the same article:

Ten years ago, Apple’s most popular iPod was the largest-capacity model with 80 gigabytes of storage. Now the top seller is the 32 GB iPod Touch starting at $299. The entry-level iPhone comes with 16 GB of storage.

“If downloads were still important, we’d all need more storage,” Lefsetz says. “Apple knows which direction this is going.”

Yet again we are creating a community of digital disenfranchised.  Not everyone wants to stream media — they may not know how to do it; they may not be in a location that permits it; they may not have the signal to do it; they may not be able to afford the cost of doing it. Yet the assumption seems to be that it is something the public wants. What this is really doing is hurting the public: no longer can you own a personal copy of your music you can listen to at any time in any place. You become tethered to the (for profit) streaming service, who can dictate if you can listen to your music and where and when. Is this the right direction for society?

We all know technology is everywhere, and in increasing cases, it is not serving to help but to hurt. What used to be broadcast is now exclusively on the web, eliminating as a potential audience those lacking the financial or technological wherewithal to find it. Others are starting to embrace a return to old media.   We need to make sure that in our rush to embrace the latest and greatest technology, we don’t cut off those not quite as nimble.

Disclaimer: Even though I know how to listen to podcasts, I still like the radio sometimes. I like to physically own my music (in fact, I’m looking to buy some LP storage crates and a media center), even as I have over 31,000 songs on my iPod (160GB). Further, I do not have a smartphone. I feel cut-off everytime I see a QR scan-this discount code.

Music: Destry Rides Again (1959 Original Broadway Cast): “Overture” [recorded from LP to MP3 using Roxio Easy Media Creator, loaded into iTunes, currently playing on my iPod]

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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