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If you’ve been following my blog for any length of time, you know I enjoy listening to music. Perhaps “enjoy” is too weak a word. I love listening to music. I have since I was a kid, and I would lug a briefcase of hand-recorded cassettes to camp. I jury-rigged my own cassette player to car interface in my first cars. I’ve used various Walkmen, Discmen, and finally iPod Classics … all in a quest to have all my music with me at all times. Further, I don’t want any of this streaming crap, where you are only leasing the music from the music companies at any time. I want my albums, with my album covers, when and where I want them without a dependence on an Internet connection. Albums in the cloud? Feh!

In this quest, I’ve modified my iPod Classics to remove the spinning hard disk, using the iFlash card to replace the hard disk with solid state memory. I used the iFlash Dual card to put in 2 256GB SD cards, making each iPod Classic have 512GB, or about 477-483 GiB. But there is a limitation on the iPod Classic software — it gets wonky and likes to reboot over about 42K tracks. So my iPods only have part of my collection. I have two iPod Classics, each with the same collection of music synced to iTunes regularly.

How many songs do I have? Right now, just over 56K.

So I’ve been searching for a solution to have all the songs on my phone. I will not use an iPhone. I don’t want to pollute and confuse the iTunes ecosystem. I’ve been using Android phones that can accept SD card storage. There are many mid-brand models that do — I’m currently using a Samsung A51 with a 512GB card.

Previously, I had been using the combination of iSyncr and Rocket Player from JRT Studio. But they sold their company about 2 years ago, and the new owners screwed the pooch and broke the software. I NO LONGER RECOMMEND iSyncr and Rocket Player. Under the new owners, Muma Studios, the software no longer works and is overpriced. The key advantage of their software and this combination was: (a) the player could play from storage; (b) the player had an equivalent of smart playlists; (c) it synchronized the music between my PC and Android, and (d) the synchronization tool could move metadata (ratings, last played, etc.) to and from iTunes.

I’m pleased to say that I’ve found a new solution. It isn’t turnkey — you’ll need to do a bit of fiddling and a sync takes about 1/2 hour. But it works. Here’s what you need:

1. An Android phone with SD card storage. The Samsung A series works will (the high end line seems to not take SD cards). There were also some Motorolas and Pixels, as I recall from my last search.
2. Syncthing. Syncthing is a continuous file synchronization program. It synchronizes files between two or more computers in real time, safely protected from prying eyes. There are versions of the software available for almost any platform, and it is free.
3. Gone Mad Media Player. (Google Play). This is a customizable music player, with loads of skins, that supports the equivalent of smart playlists and can play music from SD card. There are a few limitations: the smart playlists aren’t as smart as in iTunes; the ability to bookmark in a track is poor; there is no skip when shuffling — instead, you need a global setting. But it’s about the best I can find. This has a small one-time fee to move from the trial version.
4. Perl. Either Strawberry Perl or ActiveState Perl; both are free for personal use. Perl is the tool I use for the script I wrote. Right now, I’m also using a Visual Basic script adapted from one written by Steve MacGuire (TuringTest2 on the Apple Support Forums). I hope, one day, to move that functionality into perl as VBScript is being deprecated by Microsoft. That will also require me to understand better the iTunes COM interface.

Here’s how the process works for me right now.

Setup. 

1. Synchronize your phone with Android. I’ve got syncthing set up to “mirror” my iTunes Media Library to the SD card on my phone (send only on the PC, receive only on the phone). This took a bit of figuring out to get the SD pathname correct.
2. Get GMMP, and get it set up to look only in where you have stored your music on your phone. Do a scan to have it find all your music. Set up equivalent smart playlists in GMMP to your iPod playlists
3. Add another directory to syncthing — this time, you want bi-directional syncing between the GMMP directory on your phone (in my case, /storage/emulated/0/gmmp) and a directory you create on your PC (in my case, it was d:\dpf\music\GMMP).
4. Create a directory, GMMPStatFix, to hold the scripts and such (in my case, d:\dpf\music\GMMPStatFix\).

Updating.

1. Synchronize iTunes and your phone. I don’t normally leave syncthing running, so I start it up on both ends and wait for everything to be synchronized.
2. Start up GMMP on your phone and do a scan to find all the new tracks (Settings > Scan)
3. Backup your Stats in GMMP (Settings > Backup > Backup Stats). This creates a stats.xml file, which syncthing then copies to the GMMP directory on your PC.
4. Once stats.xml is copied to your PC, go into iTunes and Export your iTunes library into the GMMPStatFix directory (File > Export > Library). Save it as iTunes.xml
5. Run the updatestats.bat file. This file runs both the perl script GMMPStatFix.pl and the VBScript ExportImport.vbs, which is a slightly modified version of Steve’s script (primarily, to work with ASCII files instead of Unicode).
   1. Copies the stats.xml file from the GMMP directory to GMMPStatFix.
   2. Runs the perl script, which does the following: It slurps in the old stats.xml file, if it exists. It slurps in the new stats.xml file. It then chews that stuff with the iTunes XML file. This allows it to figure out the new information for the stats.xml file in terms of ratings, last played, and playcount (I don’t care about skip counts). It will also figure out when the ratings, playcount, and last played needs to be updated in iTunes. It will warn if there are computed Album Ratings, which I hate. It then generates a new stats.xml file, and a file of changes to be made to iTunes.
   3. In then invokes ExportImport.vbs to make the changes to iTunes. I’m working on fixing the dialog boxes so it doesn’t confirm everything, but does output to STDERR what it is doing.
   4. Lastly, it copies the stats.xml file back into the GMMP directory.
6. Syncthing then copies the stats.xml file back to the phone.
7. Once stats.xml has been updated on the phone, go into GMMP and Settings > Restore Stats.
8. Close syncthing on both sides if you want.

That’s it. Both sides updated.

If you want a current copy of the perl script and the modified VBScript script, just drop me a note at faigin -at cahighways -dot org, and I’ll get them to you (or comment here).

This entry was originally posted on Observations Along the Road as 🎧 Success! Turning an Android Phone into an iPod Backup by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link to the left. You can sign in with your LJ, DW, FB, or a myriad of other accounts. Note: Subsequent changes made to the post on the blog are not propagated by the SNAP Crossposter; please visit the original post to see the latest version. P.S.: If you see share buttons above, note that they do not work outside of the Wordpress blog.

The following are some news items that have caught my eye over the past few weeks regarding the iPod, the larger iPod ecosystem, and the world of digital music:

• Are Dedicated Music Players Useless? In today’s world of multifunction devices, such as your smartphone, is the dedicated MP3 player useless? The answer is a resounding “No!”, as this article shows. In addition to the 10 ways in the article, there are some even more important reasons. Dedicated MP3 players don’t use streaming bandwidth, and can be used in places where you have no Internet. They are also not visually based, so you can often operate them without looking. Being more narrow function, they are also usable in situations where phones are not (for example, MP3 players are not treated the same as phones with respect to moving vehicles). Lastly, if you upgrade storage, you can often have a much larger music library with you than you can even with services like the Amazon cloud or iTunes match, especially if you come in with a lot of preexisting music.
• Upgrading an iPod. Stories about how one can upgrade a later generation (5G or later) iPod classic to use solid state memory come around periodically. The most recent iteration was The Verge and the Circuit Breaker Podcast having an article how to do so. However, they made one major error: they indicated you get the boards and supplies through eBay. Nonsense! I’ve had three iPods updated, and a 4th will eventually be upgraded as well, and in all cases I went straight to the source: the iFlash Adaptor site. I’ve used their iFlash Dual card for all three of my iPod Classics. They also have a useful blog with advice on batteries and memory cards. If you’re local to LA, I’ve found a good person to install the card, if you’re not a hardware person (and I’m not). Drop me an email or a comment and I’ll get you in touch with the person I used.
• Digital vs. Physical Music . In the days before there was an iTunes store, how was digital audio and video shared? The answer is: via Usenet, and it was this new style of digital sharing — across a forum originally intended for textual messages — that led Usenet to its slow death, while spurring on the growth of the web and online music and video stores. Meanwhile, we’re seeing the death of the physical form for digitized media — CDs, DVDs, Blu-Rays — in favor of streaming. This is a very bad trend, and we must all work to support physical media. There are a number of reasons. First, the physical media made available many rare shows and albums that were saved from obscurity. It also preserved additional information, such as directors cuts, audio tracks, bonus tracks, commentary. Those aren’t present for streaming media, and there is no assurance that rare material will be available for streaming. It is also much easier, with only streamed media, for the media content owner to make the content unavailable. You also can’t easily share streamed media with friends. It is a bad move for the consumer.
• End of the Headphone Jack. The simple 3.5mm audio jack. It has been around for over 50 years, coming in with the transistor radio, replacing the large headphone jack. It is now starting to disappear, and we should mourn (if not protest) its demise. There are many advantages to this format. Being analog, it is not subject to restricted digital format or digital rights management. It works across all vendors, and you don’t need different products for different devices. Its analog signal is also adaptable, being used for not only sound but any electrical signal such as a card reader, health monitors, and such. By moving to proprietary digital connectors (as they did with streaming), vendors are tying you to using their product, and their enforcement of accessibility to your music. They are creating waste and making obsolete numerous devices, which often go to landfills.
• Music Management Software. Those who use an iPod or Apple device have a love/hate relationship with iTunes. Often you must use it, but it could be so much better. Here’s a review of 7 iTunes alternatives. The problem is that none of them are iTunes replacements: it is unclear if they handle accumulated metadata, such as the number of plays; it is unclear if they can communicate with older Apple devices (such as the iPod Classic); and it is unclear if they support Smart Playlists. Often, these replacements aren’t too intelligent: they don’t understand synchronization, and they presume album-oriented play. That’s great for a college student with perhaps 50 albums; its bad when you have over 2000 albums and over 42000 songs.
• Wither iTunes? Of course, the issue with iTunes may be forced. Apple has the ability to make your device obsolete. Just ask the people with first-generation Apple TVs, who are being disconnected from iTunes. Just ask those who use iTunes on Windows XP or Vista. Just ask those hoping to purchase iTunes LPs with additional album content. All have had, or will have, support discontinued by Apple. This is a big worry for me: Why does Apple have any reason to continue to support the ability to synchronize with discontinued iPods, such as the iPod Classic. It is one reason I will not buy an iPhone (requires the latest iTunes), and one reason why I haven’t upgraded from iTunes 11. I still worry that, one day, iTunes 11 will not work on Windows 10, or will no longer support podcasts. At that point, will I be forced to Rockbox, if it still exists? Their iPod Classic ports aren’t stable. Will I need to find a new media player, such as the Fiio Players? What will that mean for my metadata and smart playlists.

We’re going to a world where we may not have physical LPs or CDs for our music. As we age, what will guarantee we’ll be able to bring our music with us? Are we destined to copy our music from server to server (I hope you remembered that backup), or paying companies indefinitely to store it in the cloud? And when that cloud or drive goes “poof”, how will historians discover our music? Analog is essentially forever (or as long as the media lasts), but digital is remarkably ephemeral. Enjoy your music while you have it, for tomorrow it will be gone.

This entry was originally posted on Observations Along the Road as Updates from the Pod People World by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link to the left. You can sign in with your LJ, DW, FB, or a myriad of other accounts. Note: Subsequent changes made to the post on the blog are not propagated by the SNAP Crossposter; please visit the original post to see the latest version. P.S.: If you see share buttons above, note that they do not work outside of the Wordpress blog.

Over the weekend, we had the opportunity to go the Kavli Theatre in Thousand Oaks (FB) to see what was being sold as a “Kingston Trio” concert, but was really what was called a “Folk Reunion. What this meant was that there were two groups: The first act was John Sebastian (FB) (of the Loving Spoonful, as well as his solo career); the second act was the current incarnation of what is called the “Kingston Trio” (FB) (but which contains none of the original Trio members). Owing to a migraine, I didn’t note any setlists.

John Sebastian opened the show with a one-hour reminiscence, starting with stories of Mississippi John Hurt. I was familiar with John Hurt from Tom Paxton’s shows; I had no idea that Sebastian was also influenced in his guitar stylings from him. Such an influential man. He basically told the story chronologically of how he entered into folk music, and how the Spoonful got started — again, demonstrating the importance of the Greenwich Village NY scene to the folk revival. Along the way, he did representative tunes and a number of his hits, most of which I was familiar with (I wasn’t familiar with his theme song for the Care Bears, and alas he didn’t do “That’s Cat“). But he did do other Spoonful hits, and I found his history lesson quite enjoyable.

After the intermission, the Trio came on. John Sebastian was the real guy — the original who had been there at the birth. The Trio, on the other hand, was just the latest incarnation. If you read the history of the Trio on Wikipedia,  you’ll know that — just like the Limeliters — they went through a number of incarnations over their history, to the point where the group performing has the sound and the shirts, but not the history. The original Trio was  Dave Guard, Bob Shane, and Nick Reynolds. Disagreements in the group led to Guard leaving and being replaced with John Stewart. That configuration lasted until a hiatus in 1967. A “New Kingston Trio” was later formed by Bob Shane with a number of different artists over the years. In 1976, they were able to drop the “New”, and the KT was Shane, Roger Gambill, and George Grove, and after Gambill died, there were a number of configurations.

The Trio that we saw was the latest version, and consisted of Josh Reynolds, who is the son of Nick Reynolds, a founding member of the band, his cousin Gerald “Mike” Marvin, and  Tim Gorelangton. This configuration, after some legal kerfuffles, started performing in October of this year.

Now to true Folkies like me, the Kingston Trio is … problematic. They are one of the few groups responsible for the growth of folk music in the late 1950s — it was their success that led to folks like Tom Paxton, Peter Paul and Mary, The Brothers Four, the Chad Mitchell Trio and many others. They had a sound and an energy that was infectious. However, they also were not folk purists. They changed lyrics, often for the worse (you should hear what they did to Oleanna). They butchered the story of Tom Dula into Tom Dooley. They claimed royalties on traditional songs. All of this is noted in the Wikipedia entry. But, as they say in Urinetown: the music — it’s so good. They have an energy and a fun that makes you forget all that pesky history and tradition.

The current Trio — Reynolds, Marvin, and Gorelangton — have the musical craft down. They know the old songs and the old routines and the pacing (although a few of the songs seem speeded up a little, in particular, “Scotch and Soda”). They know the hits the audience wants to here. They still get things wrong — they introduced the Ballad of the Shape of Things as an old English Madrigal, when it is nothing of the sort: It was also written by Sheldon Harnick (for the Littlest Revue), just like the Merry Minuet (which they also did).  They are just fun to watch and have a lot of fun on stage.

But they are not the real Trio. They are an enjoyable facsimile, a generation once removed. When you put them with the real history that is Sebastian, there is no comparison. As Tom Paxton said about nostalgia: It’s OK to look back, as long as you don’t stare. With these two groups, you looked back, but you stared for different reasons.

***

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at 5 Star Theatricals (FB) [the company formerly known as Cabrillo Music Theatre (FB)], the Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre(FB) in the West Adams district, and a mini-subscription at the Saroya [the venue formerly known as the Valley Performing Arts Center (VPAC)] (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals). I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows:

Next weekend brings a Day Out with Thomas at Orange Empire Railway Museum (FB), as well as The Kingston Trio (FB) at the Kavli Theatre in Thousand Oaks (FB). The third weekend will bring Edges at the CSUN Theatre Department (FB) on Friday, the Tumbleweed Festival (FB) on Saturday, and Spamilton at the Kirk Douglas Theatre (FB) on Sunday. Thanksgiving Weekend will bring Something Rotten at the Ahmanson Theatre (FB). November concludes with the Anat Cohen Tentet at the Saroya (the venue formerly known as the Valley Performing Arts Center (VPAC)) (FB) and  Levi (a new Sherman Brothers musical) at LA Community College Caminito Theatre (FB).

December starts with ACSAC 2017 in Orlando FL. As soon as we return, we’ve got Pacific Overtures at Chromolume Theatre (FB) and the Colburn Orchestra at the Saroya (the venue formerly known as the Valley Performing Arts Center (VPAC)) (FB). The weekend encompassing Chanukah sees us back at the Saroya  (FB) for the Klezmatics (FB). We also hope to squeeze in a performance of A Christmas Story at the Canyon Theatre Guild (FB). Of course there will also be the obligatory Christmas Day movie.

Right now, early 2018 is pretty open, with only a few weekends taken by shows at the Pantages and Actors Co-Op. I did just pick up tickets for Candide at LA Opera (FB). But that will likely fill up as Chromolume announces their dates, and announcements are received on interesting shows. Currently, we’re booking all the way out in mid to late 2018!

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-Lemons, Musicals in LA, @ This Stage, Footlights, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

This entry was originally posted on Observations Along the Road as But Just Don't Stare | Folk Reunion @ T.O. Kavli Theatre by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link to the left. You can sign in with your LJ, DW, FB, or a myriad of other accounts. Note: Subsequent changes made to the post on the blog are not propagated by the SNAP Crossposter; please visit the original post to see the latest version. P.S.: If you see share buttons above, note that they do not work outside of the Wordpress blog.

I spent today recording LPs to my iPod (over 39,000 songs now!). A question came to mind: What do artists like Elvis Presley, Roger Whittaker, Theo Bikel, Chet Atkins, Al Hirt, Herb Alpert, Barbra Streisand, and Frank Sinatra all have in common. They are cover artists, not singer-songwriters performing material that they have written themselves. At one time, the cover artist was the main artist: others did the writing, they did the performing. That changed in the 1960s, thanks to duos like Lennon-McCartney.

So, here’s the question: Other than Broadway vocalists (who have always been cover artists), who are the modern-day cover artists — artists who primarily perform music written by someone else? Further, who of today’s singer-songwriters — not artists from before 2000 or Broadway — are the most covered artists?

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This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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Even though I’m on vacation this week, I’ve still been reading news and collecting articles. One subject that has been popular this week has been Apple, iTunes, Apple Music, and the future. Here are some of the discussions that caught my eye:

• All About the Benjamins. A number of articles have been circulating about the skyrocketing value for older iPods, such as this article, which notes that the U2 edition of the iPod is now supposedly fetching $90K, but of course only if it was factory-sealed in its box. To us old timers, this sounds like the Cabbage Patch Doll craze of many years ago, or the Beanie Baby craze. iPods are meant to be used: to hold music, to play music, to be the center of your musical life. They are not meant to remained boxed. I have two iPod Classics, each modified to have a 512GB SSD memory instead of the 160GB Hard Disk, and I use them everyday (in fact, I’m using one of them as I write this up: currently playing, “Fireflies” by Vana Mazi from the album Izam Anav).
• W3C, DRM, EME, and other Acronyms from Hell. Yesterday, on Boing Boing, was an open letter from the Electronic Freedom Foundation (EFF) to W3C (the Web Advisory Council) about their stance on new DRM (Digital Rights Management) technology for the web. They are creating a video DRM standard designed to prevent people from implementing it unless they have permission from the big movie and TV companies, by invoking the notorious Digital Millennium Copyright Act and its international equivalents. Earlier in the week there had been a similar article about how earlier attempts at DRM could have killed iTunes and the iPod. That article noted that “iTunes was able to become a powerhouse in music by allowing Apple customers to legally format-shift their digital music. The fact that the RIAA hated this, said it was (or should be) illegal, and tried to stop them didn’t mean that Apple couldn’t go on.” I’ve been format-shifted music I own for years, and there’s nothing that can stop it (especially if you’re willing to go the old analog route, and actually do analog re-recordings of music). I do analog recording from LPs, CDs, and cassettes; digital ripping of CDs, and purchase music digitally. Back when I was much younger, I even recorded off of AM or FM radio (that’s how we used to “stream” music 🙂 ).  I’m of the belief that people should actually own copies of the music they listen to; if they do, they should have the ability to format-shift their purchase so they can use it.
• iTunes and Destroying the Will to Collect Music. However, these days, collecting music has gotten much harder. Our interfaces to manage the music doesn’t help — witness how many people complain about iTunes (which is likely still the largest music manager for MP3 players and their brethren).  Here’s one man’s story about how iTunes destroyed his desire to collect music. What with fears about iTunes replacing carefully curated tracks with similar versions on the cloud, to the tendancy of iTunes to lose tracks or delete music, the ability to manage a collection — especially large collections — gets difficult. I can understand the concern. If you’ve visited our house, you know I have a large collection of LPs and CDs (and once upon a time had a very large collection of cassettes recorded from those LPs and CDs). I have just under 38,000 tracks in iTunes, and plan to add more. I recognize how I’ve grown tied to iTunes and its play counts and ratings, as well as how easy it is for iTunes to screw up and lose music.
• iTunes vs. Apple Music. But the music industry may be trying to screw listeners once again. There are conflicting stories out there about how Apple is going to kill the iTunes store within 2 years; but then again, it may not. The conflict (and the reason for the conflicting reports) is the movement to streaming music (which I view as an insidious plot). Supposedly… Apple wants to get out of the profitable business of “selling” people music through the iTunes store, and replace it with the streaming of music through Apple Music, where you can stream tracks you are leasing (but I put “selling” in quotes, because in someways it was leasing as well, because Apple could delete the trick, or might have DRMed the track). I tend to side with the folks that say Apple isn’t doing this now, simply because it is a profit center. I think the risk of it going away is there, especially if more people move to storage in the cloud and a streaming model. Luckily, I think the artists still want to have the ability to get music in the hands of their fans — be it  through download, CDs, or other means. I have yet to hear rumors that Amazon is getting out of the digital music field — and I always get my music through Amazon if I can as they do not DRM protect their tracks; I subsequently import them into iTunes (which moves them out of Amazon Music’s reach).

So what is the upshot of these articles. I think it is simple. People have always wanted to own the music of the artists they like: be it sheet music in the early days, LP recordings through much of the 20th century, cassette records, and later CDs and digital tracks. With recording technology, they like — and need — the ability to format shift their music to formats of their choosing. They also need the ability to pass their music collections to their children (something that may be difficult to do). We should not be forced to buy new copies of recordings we own every few years, despite what the music companies claim.

As for Streaming Music: Streaming music is demon spawn. It is a reinvention of the radio, but under your control. However, with streaming, you not only pay for the music, you pay for the bandwidth used to deliver it. Further, the streamers can lose the ability to send you the music at any time. Further, it is only good if you have a signal to stream the music. Fight streaming. Purchase your music, record it to a format you can use, and just play from your collection — non-streaming or local (i.e., your house) streaming. Oh, and that iPod Classic you’ve got in your closet — don’t sell it as a Cabbage Patch MP3 Player, and don’t throw it away. Replace the hard disk with SSD, load it up, and use it. You can have your entire music collection with you, and listen to the songs you want.

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This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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Those of you who know the Austin Lounge Lizards know the lyric in the title:

So gather round and raise your pleasant voices
And play that gospel bluegrass, while you live
It’s hard to find a banjo player up in heaven
There’s some things that even Jesus won’t forgive

Perhaps I should explain why I’m sharing the Lizards (as if one needs an excuse): Last night, we went to another event from the wonderful counter-cultural orchestra, Muse/ique (FB). The event, called String/Awakening, was billed as follows:

String instruments are magic machines born of an ancient mystical technology.  When guided by master hands, these basic devices made of simple parts have the awesome power to change everything.

A few inches of string becomes a thread that connects humanity’s every story from Eleanor Rigby to Bach’s Air on a G String.  The handheld box is like a treasure chest that holds our common experiences and emotions – reminding us that we are all alike.  And the bow is like a magic wand, conjuring in the listener a willingness to imagine the world differently.  

With childlike passion for discovery, Rachael Worby and the musicians of MUSE/IQUE will turn from the tuxedo clad safety of the concert hall to unleash the full and delightful fury of the violin, cello , viola, harp, bass and more.

In other words, the evening was a celebration of all things string. We had all sorts of orchestra strings on the stage: cellos, violas, violins, harps, basses. We had a cajon (stringed percussion box). We had chimes… hanging on strings. We had a guitar used for percussion. We had drums with the head held on by twine.

But that wasn’t all. We had tables with cats cradles, yo-yos, and string cheese. We had people spinning and knitting. We had a dancer who hung by a string. We even had a five minute speaker from Cal-Tech on String Theory.

We had wonderful music that emphasized the strings:

• Mozart: Eine kleine Nachtmusik
• Bach: Brandenberg Concerto
• Mendelssohn’s Octet in E-flat major,
• Vivaldi: Winter
• Piazolla: Spring in Buenos Aires
• Eleanor Rigby
• Somewhere Over the Rainbow

All of this being held in the parking garage of a florist; said garage being the former service bay of a 1920’s Cadillac Dealership.

It was a lovely evening. Only one thing was missing… or should I say one thing was there: string snobbery.

They didn’t highlight the fact that the violin is also the lowly fiddle. They didn’t play guitars, ukukleles, or heaven-forfend, banjos. Certainly some Segovia would have fit in. They could have morphed from Segovia into Chet Atkins or Tommy Emmanuel. Certainly they could have done bluegrass.

But this was heaven, or at least heaven as it exists in Pasadena. And well all know what isn’t in heaven.

Actually, I’m being a little tongue in cheek here. Actually, String/Awakening was a delightful evening with a fascinating lecture on string theory bookended by some wonderful music. Alas, I can’t name the musicians, because they didn’t hand out a program. But it was quite fun.

[ETA: A subsequent email provided some credits: “Artistic Director Rachael Worby (FB) led and conducted a group of amazing friends and artists including violinist Roger Wilkie, harpist Alison Bjorkedal and the strings of MUSE/IQUE! We would also like to thank our extraordinary supporting cast: percussionist Mona Tavakoli (FB),  String Theorist John Schwarz, choreographer Shauna Barger (FB) and the dancers of Artists Plus, and weavers led by Ruth Souza.” They also posted additional pictures of the event.]

P.S. to Ms. Worby, if you read this: Next time you invite a speaker from Cal-Tech, please remember the appropriate way to enforce the time limit. Much better than playing with your watch

* 🎭 🎭 🎭 *

Ob. Disclaimer: I am not a trained theatre critic; I am, however, a regular theatre audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I subscribe at three theatres:  The Colony Theatre (FB), Cabrillo Music Theatre (FB), and I just added the  Hollywood Pantages (FB). In 2015, my intimate theatre subscription was at REP East (FB), although they are reorganizing and (per the birdies) will not start 2016 shows until August. Additionally, the Colony just announced that the remainder of their season has been cancelled, so the status of that subscription is up in the air. Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: February closes with more music: The Band of the Royal Marines and the Pipes, Drums, and Highland Dancers of the Scots Guards at the Valley Performing Arts Center (VPAC) (FB). March starts with “Man Covets Bird” at the 24th Street Theatre (FB) on March 6 (the day after the MRJ Man of the Year dinner). The second weekend of March recently opened up, due to the cancellation of “Another Roll of the Dice” at The Colony Theatre (FB). We’ve replaced “Dice” with another musical: “All Shook Up” at the Morgan-Wixson (FB) in Santa Monica.  [This also permits me to get more music for my iPod Classic (now at 512GB) by visiting Record Surplus)] The third weekend of March takes us back to the Pasadena Playhouse (FB) on March 19 to see Harvey Fierstein’s Casa Valentina, followed by Bach at Leipzig at The Group Rep (FB) on March 20.  The last weekend of March is being held for “A Gentleman’s Guide to Love and Murder” at the Ahmanson Theatre (FB) (pending Hottix).  April will start with Lea Salonga at the Valley Performing Arts Center (VPAC) (FB) on April 1 and an Elaine Boosler concert at Temple Ahavat Shalom on April 2 (this concert is open to the community; get your tickets here). April will also bring the Turtle Quintet at the Valley Performing Arts Center (VPAC) (FB), “Children of Eden” at Cabrillo Music Theatre (FB) , and our annual visit to the Renaissance Faire (Southern). April may also bring A Shred of Evidence at Theatre 40 (FB). As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Bitter-Lemons, and Musicals in LA, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves.

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Those of you who know the Austin Lounge Lizards know the lyric in the title:

So gather round and raise your pleasant voices
And play that gospel bluegrass, while you live
It’s hard to find a banjo player up in heaven
There’s some things that even Jesus won’t forgive

Perhaps I should explain why I’m sharing the Lizards (as if one needs an excuse): Last night, we went to another event from the wonderful counter-cultural orchestra, Muse/ique (FB). The event, called String/Awakening, was billed as follows:

String instruments are magic machines born of an ancient mystical technology.  When guided by master hands, these basic devices made of simple parts have the awesome power to change everything.

A few inches of string becomes a thread that connects humanity’s every story from Eleanor Rigby to Bach’s Air on a G String.  The handheld box is like a treasure chest that holds our common experiences and emotions – reminding us that we are all alike.  And the bow is like a magic wand, conjuring in the listener a willingness to imagine the world differently.  

With childlike passion for discovery, Rachael Worby and the musicians of MUSE/IQUE will turn from the tuxedo clad safety of the concert hall to unleash the full and delightful fury of the violin, cello , viola, harp, bass and more.

In other words, the evening was a celebration of all things string. We had all sorts of orchestra strings on the stage: cellos, violas, violins, harps, basses. We had a cajon (stringed percussion box). We had chimes… hanging on strings. We had a guitar used for percussion. We had drums with the head held on by twine.

But that wasn’t all. We had tables with cats cradles, yo-yos, and string cheese. We had people spinning and knitting. We had a dancer who hung by a string. We even had a five minute speaker from Cal-Tech on String Theory.

We had wonderful music that emphasized the strings:

• Mozart: Eine kleine Nachtmusik
• Bach: Brandenberg Concerto
• Mendelssohn’s Octet in E-flat major,
• Vivaldi: Winter
• Piazolla: Spring in Buenos Aires
• Eleanor Rigby
• Somewhere Over the Rainbow

All of this being held in the parking garage of a florist; said garage being the former service bay of a 1920’s Cadillac Dealership.

It was a lovely evening. Only one thing was missing… or should I say one thing was there: string snobbery.

They didn’t highlight the fact that the violin is also the lowly fiddle. They didn’t play guitars, ukukleles, or heaven-forfend, banjos. Certainly some Segovia would have fit in. They could have morphed from Segovia into Chet Atkins or Tommy Emmanuel. Certainly they could have done bluegrass.

But this was heaven, or at least heaven as it exists in Pasadena. And well all know what isn’t in heaven.

Actually, I’m being a little tongue in cheek here. Actually, String/Awakening was a delightful evening with a fascinating lecture on string theory bookended by some wonderful music. Alas, I can’t name the musicians, because they didn’t hand out a program. But it was quite fun.

* 🎭 🎭 🎭 *

Ob. Disclaimer: I am not a trained theatre critic; I am, however, a regular theatre audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I subscribe at three theatres:  The Colony Theatre (FB), Cabrillo Music Theatre (FB), and I just added the  Hollywood Pantages (FB). In 2015, my intimate theatre subscription was at REP East (FB), although they are reorganizing and (per the birdies) will not start 2016 shows until August. Additionally, the Colony just announced that the remainder of their season has been cancelled, so the status of that subscription is up in the air. Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: February closes with more music: The Band of the Royal Marines and the Pipes, Drums, and Highland Dancers of the Scots Guards at the Valley Performing Arts Center (VPAC) (FB). March starts with “Man Covets Bird” at the 24th Street Theatre (FB) on March 6 (the day after the MRJ Man of the Year dinner). The second weekend of March recently opened up, due to the cancellation of “Another Roll of the Dice” at The Colony Theatre (FB). We’ve replaced “Dice” with another musical: “All Shook Up” at the Morgan-Wixson (FB) in Santa Monica.  [This also permits me to get more music for my iPod Classic (now at 512GB) by visiting Record Surplus)] The third weekend of March takes us back to the Pasadena Playhouse (FB) on March 19 to see Harvey Fierstein’s Casa Valentina, followed by Bach at Leipzig at The Group Rep (FB) on March 20.  The last weekend of March is being held for “A Gentleman’s Guide to Love and Murder” at the Ahmanson Theatre (FB) (pending Hottix).  April will start with Lea Salonga at the Valley Performing Arts Center (VPAC) (FB) on April 1 and an Elaine Boosler concert at Temple Ahavat Shalom on April 2 (this concert is open to the community; get your tickets here). April will also bring the Turtle Quintet at the Valley Performing Arts Center (VPAC) (FB), “Children of Eden” at Cabrillo Music Theatre (FB) , and our annual visit to the Renaissance Faire (Southern). April may also bring A Shred of Evidence at Theatre 40 (FB). As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Bitter-Lemons, and Musicals in LA, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves.

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This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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It’s the first weekend of the new year, and as is traditional, it’s time to clear out the accumulated news chum from the week — the chum that couldn’t be used to create a coherent themed chum post of 3 or more articles. So let’s see what is in this week’s stew:

• Saved! The first news chum item was to be about where I live now, but that became its own article. So let’s talk about where I used to live: North Hills.  At the corner of Devonshire and Sepulveda is a shopping center we used to frequent (especially when Hughes was still there). Today, the Hughes Ralphs has closed, and so has Mission Hills Bowl, and rumors are circulating about redevelopment of the center. This week, some good news came out of this: the bulk of the center appears to be saved, and the Mission Hills Bowl building will remain.  The Googie designed Bowling Alley by LA architect Martin Stern Jr. will be saved as part of a new commercial development that will include a mix of retail, restaurants, medical office, gym, warehouse, and bank uses spread over one and two story buildings.
• Booking It. When Borders and Barnes and Noble took off, the prediction was that they would kill the small bookstore. They almost did, but the bookstores hung on. Now Borders is gone, and B&N is on the ropes, being killed by Amazon. What is still surviving? The small independent used bookstore. In fact, used bookstores are making a comeback. The reason isn’t surprising, when you think about it. It costs more to ship used books than to just sell them locally. Here’s the quote that BoingBoing used from the original article: “Used bookstores, with their quintessential quirkiness, eclectic inventory and cheap prices, find themselves in the catbird seat as the pendulum eases back toward print. In many cities, that’s a de facto position: They’re the only book outlets left… And it’s a business with good economics. Used bookstores can beat Amazon and other online booksellers on price, offering shoppers both a browsing experience and a money-saving one. Also, profit margins on used books are better than new ones — so good that many indies are adding used sections.”
• Travelling? Good News and Bad News. Traveling in the new year? You need to watch out if you live in Alaska, California, Illinois, Missouri, New Jersey, New Mexico, South Carolina, Washington, Puerto Rico, Guam, the US Virgin Islands, Minnesota or American Samoa. Your state is bumping into (or has gone past) the RealID deadline, and your state IDs may not be acceptable to TSA or the DOD. About the only good news here is that California got granted an exemption. I have no idea what this means: in particular, it could mean that everyone in the state needs to be issued a new ID. Ouch!
• New Album from Paul Stookey. As you have likely figured out, I love folk music… and my first love was Peter, Paul, and Mary. Thank’s to Noel Paul’s Facebook account, I just learned that Noel Paul Stookey issued a new album in September 2015. I’ve already grabbed my copy, it is it like one of his recent concerts (i.e., very good).
• Going Boom. Here’s a fun article: The history of the Toy Chemistry Set. What started out as a kit for the academic world became something to encourage men to become scientists (why would women care about chemistry), and then got neutered as society became worried about safety and homemade bombs.
• More Problems from Inflammation. The inflamatory response is turning out to be the culprit is more and more problems. We’ve seen articles in the past linking it to arthritis and migraines. Here’s an article showing the link between depression and inflammation. Quite an interesting read, and it shows why we might not need to monkey with brain chemicals to address depression.
• Deaths of Note. We’ve had a number of notable deaths at the end of the year, such as Wayne Rodgers and Natalie Cole. Here’s one you may have missed: Ruby Cavanaugh, namesake of Ruby’s Diners.
• Sign of the Times? Mattel, owners of the American Girl line of dolls, has introduced a diabetic kit for their dolls, allowing girls with diabetes to have a doll that is just like them. While I applaud the production of the kit, what does it say about the prevalence of diabetes in our society that this needs to be a thing?

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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We’re continuing to swab the deck of this pesky news chum. This time, we’re making some things that might be of retirement age walk the plank. Let’s see if they sink or swim:

• The Boeing 747. One of the books I keep rereading from the early 1970s deals with the birth of the Boeing 747. After 45 years, the old lady of aviation (of the current “models” in heavy use, only the 737 is older) may be ready to retire. It’s engineering is from the past: people are astonished when they see the analogue instruments. The flight controls are all dependent on old-fashioned mechanical linkages. A 747 captain once explained that, if hydraulic assistance on the control yoke is lost, you can still put your feet on the instrument panel, give a big tug and wrench the plane about the sky. You cannot do that on a solid-state Airbus. Airline economics have also changed: International flights can now avoid the big hubs and go directly on long, thin routes between secondary cities. The first generation of high-bypass turbofans made the original 747-100 possible, but it was only ever economical when fully loaded, its efficiency tumbling disproportionately as seats were left empty. In the 45 years since its first flight, engine reliability has so dramatically improved there is no need for four thirsty engines. In any case, the fundamental appeal of the original 747 was its range rather than its capacity. Boeing’s own efficient long-range modern twinjets, the 777 and 787 have made it redundant. And the A380 makes it look crude.
• Quicken. If you are like me, you probably have years and years of data in Quicken. I think I started using it back in 1994, perhaps even a bit earlier, with a version running on MS-DOS. Well the markets have changed, and you and I are dinosaurs. All the cool kids use online money management, and Intuit (born of Quicken) has put Quicken on the market. Intuit has decided to focus on its small business and tax software, represented by QuickBooks and TurboTax, respectively — both have strong cloud- and subscription-based businesses — and is ditching Quicken because, as a strictly desktop product, it has neither.  Some predict Quicken to be dead in two years. After all, the three units Intuit plans to sell — Quicken, QuickBase and Demandforce — accounted for less than 6% of the firm’s fiscal 2015 revenue, and just 2% of its net income during the same period. For the last 12 months, Quicken contributed just $51 million to the company’s total revenue of nearly $4.2 billion.  They want a buyer that will keep the brand up. It will be interesting to see. I still use Quicken — and their long-retired Medical Insurance Tracking software — and it would be a pain to transition that data (and the data does not belong online).
• Vinyl Records. On the other hand, vinyl records (which were written off for dead), are seeing a comeback. The NY Times reports that the business of record pressing is now experiencing so many orders they cannot keep up (warning: autoplay video). The problem: how to capitalize on the popularity of vinyl records when the machines that make them are decades old, and often require delicate and expensive maintenance. The few dozen plants around the world that press the records have strained to keep up with the exploding demand, resulting in long delays and other production problems. It is now common for plants to take up to six months to turn around a vinyl order. Still, vinyl is a niche market, albeit a valuable one.

Music: The Slightly Fabulous Limelighters: “Aravah, Aravah” (The Limeliters )

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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It’s an oddly stormy July day here in Southern California (a bit worrisome because I have outdoor theatre tickets tonight). Still, storms make it a perfect time for some stew. I’ve also got two other themed articles brewing on the back burners (one on food, and one on cybersecurity), but the haven’t quite set up right yet. So let’s dig into the stew:

• Benefitting from the Drought. Having a pool is a headache. You’ve got to keep it full; you’ve got to keep it clean. Additionally, when there is a drought, you worry about the water lost to evaporation… and leaks. Further, if you have a leak, think of the water bill if you have to drain and refill it to repair. I’m telling you this because some niche businesses benefit from a drought: In particular, a pool repair man who is able to repair pools under water has more work than he can handle. He’s developed a pool repair compound (trade secret) that can be applied and cure under water, meaning that pools do not require draining for repair. I found this very interesting, as I suspect my pool to have another leak… and for that leak to be somewhere deep where I can’t find it. During the summer, it is hard to differentiate water lost to a leak from water lost to evaporation.
• No One Ever Plans to Be A Mortician. This is one of my favorite phrases… and so here’s an article about morticians. Specifically, it is about two Los Angeles morticians who are trying to effect a radical shakeup of the undertaking business. What they want to do is return death to the home. In other words, people are removed from death and their loved ones. People used to die at home; now they die in hospitals. They are handled in isolation by undertakers, who pump them full of chemicals to make them look alive. These two young morticians work with families to facilitate what the two call a “more natural” death — no formaldehyde cocktail, no pods that fill hollow eyes, no mouth former, no satin-lined casket, no metal vault. The goal is to promote home funerals. If family members care to, they can undress, bathe, and cool the body with ice themselves or they can watch them do so. Interesting concept.
• The Rebirth of Vinyl. If you purchase music these days, you’ve probably heard about the rebirth of vinyl records; quite suprising in this day of digital music and CDs. But not everyone thinks it will last. In particular, Noel Paul Stookey, of Peter Paul and Mary, thinks the current resurgence of vinyl is just a fad. Specifically, he thinks a trend to oversampling will eliminate the sound advantage, but the tactile and emotional advantage will remain. Then again, if you don’t have a place or way to listen to the music you own, what difference does it make.
• Invisible Girlfriends. On the Internet, there’s a service for everything — even being an invisible girlfriend who is there only in text messages. This service is provided in a way similar to a Mechanical Turk: it is crowdsourced. What is it like to be an Invisible Girlfriend? Funny you should ask: Someone wrote an article about the experience. This seems the perfect subject for a Reply All episode.
• Magnets and Plutonium. Pluto has been in the news, so why not Plutonium. Plutonium is an odd metal: based on where it is in the periodic table, one would expect it to be magnetic — yet it isn’t. Scientists have just started to figure out why. The reason is that plutonium can have four, five or six electrons in the outer shell in the ground state (they previously thought the number was fixed); further, not only does it fluctuate between the three different configurations, it is in all three at the same time. Because the number of electrons in plutonium’s outer shell keeps changing, the unpaired electrons in the outer shell can never line up in a magnetic field and so plutonium can’t become magnetic.
• Taking Control of Your Digital Life. One of the things that was nice about Livejournal was the ability to see what was happening with your friends chronologically, back to the point where you had last done so. Facebook and their algorithms made that difficult: you were never sure if you were seeing everything from everyone — Facebook tried to bring up what it thought was most important. That all may be changing. Supposedly, Facebook is going to soon let you bypass their algorithm. After years of sorting news feeds primarily by algorithm, Facebook is letting users choose what they want to see first.An update to Facebook’s iOS app expands the existing “News Feed Preferences” section with a way to choose whose updates appear at the top of the timeline. A similar update is coming to Facebook’s Android app and desktop website in the coming weeks. Users can check out the new settings by pressing the “More” button in the Facebook app’s bottom-right corner, then tapping on “News Feed Preferences” and selecting “Prioritize who to see first.” This brings up a list of friends and Pages that users can mark as favorites. Unread updates from favorite contacts will always appear at the top of the News Feed, overriding Facebook’s predictive algorithms.

That’s it — your stew for the weekend. Let’s now hope that the storm (we’ve got thunder and rain as I type this) doesn’t cancel tonight’s theatre. Update: It did

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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