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2nd Annual Tumbleweed TownshipToday, while a bunch of my friends were visiting Victorian England at the Dickens Fair (FB), I was visiting a different historical reenactment: Tumbleweed Township (FB). When asked to describe what Tumbleweed is, the best explanation is: Take a RenFaire and move it to Western America in the 1880s. In many ways, that was what was literally done: Tumbleweed is produced by the same team that produces the new Nottingham Festival (FB), in the same location, with many of the same vendors, the week after the two week Nottingham Festival.

The first year, Tumbleweed was a bit unsure of itself. It was damp and cold, and the layout was odd. But it survived to a second year, which is a good thing.

The layout this year was similar to Nottingham two weeks previous — no big surprise there. There seemed to be slightly more artisans, although a number that were there the first year (notably, the folks where I got my hat and my Yucca walking stick) were not back, and a number did not say from Nottingham (again, not a complete surprise, as some vendors wouldn’t work as well in the Old West setting). There was a reasonably good variety — some food (although more is really needed, especially for those gluten free), a number of knives and metal work, boots, costumes, jewelry, perfume, and such.  There were no stave or pottery vendors. I hope the vendors did well enough to justify their return next year, and that more vendors join them.

I watched a bit of a few shows. They had the same problem that Nottingham did: they needed more musical acts. There were a few, and a number of storytellers and historical reenactments. There was a shootout and a land grab, and loads of games for the kids (including horseshoes).

I tend to like Tumbleweed a bit more, perhaps because the time period is a lot more accessible and accepting. By that, I mean that many of the historical attitudes towards minorities and other religions that were present in Elizabethan and even Victorian England are less present than in the Old West. There are still problematic attitudes towards Native Americans and Women, but that will exist in almost any historical reenactment because, well, you know, history. But the costuming is also more accessible — jeans, suspenders, a flannel shirt and a western hat work well, and there are much fewer anachronisms in costuming (except for the steampunks, but even they fit in a bit better because Jules Verne is about the same time).

Still, I would really like Tumbleweed to succeed a bit more. They may need to embrace the time of year a bit more: we’re talking mid-to-late November, so incorporating some Winter holidays could work. Bring in “A Mulholland  Christmas Carol” — not only is it roughly time and theme appropriate, it is area appropriate given the Township is in Simi Valley.

Of course, you can spread the word as well, and even come on Sunday. Tickets are available at the gate or online (where they are cheaper). More information is on their website (and note that unlike that Big Festival at the Dam Site, parking is easy and free).

***

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at 5 Star Theatricals (FB) [the company formerly known as Cabrillo Music Theatre (FB)], the Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre(FB) in the West Adams district, and a mini-subscription at the Saroya [the venue formerly known as the Valley Performing Arts Center (VPAC)] (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals). I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows:

Tomorrow, it’s Spamilton at the Kirk Douglas Theatre (FB) on Sunday. Thanksgiving Weekend will bring Something Rotten at the Ahmanson Theatre (FB). November concludes with the Anat Cohen Tentet at the Saroya (the venue formerly known as the Valley Performing Arts Center (VPAC)) (FB) and  Levi (a new Sherman Brothers musical) at LA Community College Caminito Theatre (FB).

December starts with ACSAC 2017 in Orlando FL. As soon as we return, we’ve got Pacific Overtures at Chromolume Theatre (FB) and the Colburn Orchestra at the Saroya (the venue formerly known as the Valley Performing Arts Center (VPAC)) (FB). The weekend encompassing Chanukah sees us back at the Saroya  (FB) for the Klezmatics (FB). We also hope to squeeze in a performance of A Christmas Story at the Canyon Theatre Guild (FB). Of course there will also be the obligatory Christmas Day movie — who knows — perhaps it’ll be the upcoming The Greatest Showman.

Right now, early 2018 is pretty open, with only a few weekends taken by shows at the Pantages and Actors Co-Op. I did just pick up tickets for Candide at LA Opera (FB). But that will likely fill up as Chromolume announces their dates, and announcements are received on interesting shows. Currently, we’re booking all the way out in mid to late 2018! We may also be adding a CTG subscription, given their recent announcements regarding the next season.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-LemonsMusicals in LA@ This StageFootlights, as well as productions I see on GoldstarLA Stage TixPlays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

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Nottingham Festival 2017Southern California has two Renaissance Faires. There is the big one — the granddaddy of all Ren Faires — in Irwindale (nee Devore nee Agoura). There there is a newer faire — Nottingham Festival (FB) — that started 5 years ago by some of the original participants, with the goal of being truer to the original ideas of the Faire than the granddaddy had become. We supported the kickstarter of Nottingham 5 years ago, and have been attending ever since. Today was opening day, and we just got back. So what did we think of this year’s Faire.

First, be aware that Nottingham is much much smaller. My guess would be ⅓rd the size — which fits right for the running time, people, vendors, and such. They simply don’t have the variety of the granddaddy, but that doesn’t make them any less enjoyable. We just get through faster.

The folks behind Nottingham run a second faire at the same location on the heels of Nottingham: Tumbleweed Township,  Tumbleweed — this will be its second year — is the old West (US) in the late 1800s. It is a time period that is a bit more accessible to many, and one that fits well with the Simi Valley location. Many of the vendors sell at Tumbleweed as well, changing their product mix as well. We went last year to Tumbleweed and enjoyed it quite a bit.

This year’s Faire was in the same site as the last three years, and the layout felt… comfortable. It was as if they had figured it out. There wasn’t too much walking. Stages were mostly accessible. It felt as if there were a few tweaks from last year, but it worked.

As for the other aspects of the Faire:

Vendors   There was a good mix of vendors, from some of our favorites, some of our friends, and some we hadn’t seen before. We liked the pottery vendor and picked up some pieces, as well as signing up for Farm Fresh delivery. There were a number of good clothing and jewelry vendors that had stuff we liked, but didn’t have a need to purchase. Prices were good.
Food  There were a small number of food vendors. Prices were reasonable, with ale/beer at $6. Selection was a bit of a different issue. I look for what I can eat (healthy, no grease), and what my wife can eat (gluten-free), and our options were relatively limited. So it was OK for a small Faire, but could have been a little better.
Music  Music was surprisingly light this year. There were some groups we liked (Merry Wives), but they weren’t there opening day. There were less wandering groups of musicians and dancers than usual. There were less musical groups at stages.
Entertainment  There were some groups we liked from last year, but in general we didn’t find the stage shows and they didn’t have the grab factor walking by. This could just have been the opening day mix, because I know some of the group are good.
Education  /  They had the Masters Pavilion again — which is one of the hallmarks of this Festival, but they didn’t clearly indicate who would be there and when.
Enthusiasm  The folks here are super friendly. We weren’t even wearing that much garb (I was in a mix of RenFaire and Tumbleweed, as I though it would be cooler and might rain), and we got loads of compliments.
Layout  They’ve gotten the layout down, eliminating the problems of the first year of two.
Bad Costumes  We really only saw one bad costume, someone dressed as a hell-boy.

 

Nottingham is doing a good job of growing at a slow place while not losing what makes it special. I look forward to next year and its further improvement.

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userpic=faireYesterday, we went to the 4th edition of the Nottingham Festival (FB) (having supported the original Kickstarter back in 2013). This year’s festival (November 5/6 12/13) comes directly after the Simi Valley Historical Ghost Tour, (produced only by Actors Rep of Simi Valley (FB), not Nottingham) which came after the 1st Annual Tumbleweed Festival on October 22/23 and used the same location. This allowed the organizers (Actors Rep of Simi Valley (FB) and the Simi Valley Cultural Association (FB)) to rent the same space for four weekends in a row. As before, the event was held near the Simi Civic Center. Like last year, they used Civic Center Park in Simi Valley, which is the space between the Courthouse and the Simi Valley City Hall, as opposed to being in Rancho Tapo Community Park (note: the map below is mislabeled — the purple is the 2013-2014 location; the orange the 2015-2016 location):

Rought Nottingham 2016 Layout
They seem to have the entry aspect under control: there were no lines. Whether that is due to lower attendance, I don’t know. I do know that it was a simple “collect your ticket”; there were no security inspections upon entry. Had we known, we might have brought drinks. I think this Faire is small enough that the concern isn’t all that great — there were uniformed (although not period uniform — that would be neat!) police officers wandering around.

For some reason, I didn’t like this year’s arrangement as much as the last two year’s (2015, 2014) (although it is certainly better than 2013‘s). [Evidently, 2015 was in the same location, but I recall the layout being very different] The stages seemed harder to find, parking seemed tighter, the Master’s Pavilion (normally a star attraction) seemed tucked away as an afterthought behind some stores. The kids stuff seemed hidden, and there was less play space. It wasn’t a disaster, but I’m not sure the economy of the using the same space and layout as Tumbleweed helped overall (although it did save the sponsors a lot of effort). The new layout, however, did provide some picnic tables. I’m hoping this is like the situation in 2013 — they will workout the flow kinks for the combination, and next year will have a better flow.

Food vendors seemed a little bit lighter than in past years. What was there was excellent and not overpriced, so who am I to complain? I certainly enjoyed what I had for lunch, and wanted to try more but didn’t have the room. There was still a dearth of beverage options for those avoiding sweet beverages — I still maintain that having a “water fill” station for a reasonable price ($1-$2) would allow people to fill their mugs and goblets, and use a lot less plastic and other waste. There were also precious few gluten-free options for my wife — the turkey legs and the Topanga Jerky were about it.

Entertainment options were good from what we saw; as always, more music is welcome. The program was lacking — the map was really rough, and there was not a list of all vendors (which would be very useful).

The crowd seemed reasonable for a small festival — I hope it was worthwhile for the vendors. There was a really good selection of vendors — I believe a few more than last year. They have added at least one pottery vendor, and there are a few more clothing vendors. They still, however, are missing a stave / wand vendor (which is a big surprise, as they had a stave vendor at Tumbleweed). Here’s hoping for more continued growth.

[Edited with a correction on the location from Nottingham’s director of communication.]

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Tumbleweek Township 2016userpic=faireThere’s a new Faire in Simi Valley, and we went to it today. Although, to be truthful, it isn’t really a Faire. However, it is Faire-like, and it is true to the spirit of Faire, and for something new, it is quite remarkable. It also raises some interesting questions.

It is Tumbleweed Township (FB), and it is a Living History event set in approximately the 1880s to 1890s in the West (actually, perhaps what Simi Valley was at that time). This event is put on by the same folks that do Nottingham Festival (FB), a new Renaissance Faire in Simi Valley in mid-November. Like Nottingham, the folks behind the event (Actors Rep of Simi Valley (FB) and the Simi Valley Cultural Association (FB)) are dedicated to doing Faire like it was done originally — that is, going back to the first days of the first RenFaire in Ventura County. That means a dedication to living history, and less of a concern about profits and maximizing revenue. As they put it on the Nottingham page:

Since the days after the Faire put on by the Living History Center left Agoura, there has been a desire to bring a more accessible regional Renaissance style event back to the Ventura County area. A group of dedicated volunteers from the community along with the Actor’s Repertory Theater of Simi and the non-profit Simi Valley Cultural Association set out to make that dream a reality. Nottingham Festival will recreate the magic and revelry of an Elizabethan faire and marketplace with street performers and stage acts that will provide entertainment for all ages. Craft workers and reenactors from various guilds will entreat you to experience a taste of the handicrafts and lifestyle of the 16th Century. Our hope is that you will be well entertained and maybe even learn a thing or two about the time period and its people. Proceeds from this non-profit festival will be granted to smaller non-profit agencies in the surrounding communities, as well as some set aside for the further development of the arts programs for youth.

Tumbleweed is an attempt to create a new living history event — this one set in a township in the 1880s and 1890s. There are still many Faire-ish elements: food booths, craft booths, stages, and music. However, the crafts are a little bit different, the shows a bit more cowboy-ish, and the atmosphere — as befits the Western ethic — a lot less bawdy. There is also — thankfully — a lot less fantasy aspects. No pirates. No fairys. No fantasy elements. The closest fantasy elements are Steampunk. It’s also pretty easy to garb yourself — jeans, flannel shirts, cowboy belts and hats work just fine. Just no guns. Only the actors get replica guns. Per the agreement with Simi PD: “There shall be no firearms or replica firearms allowed to be brought onto the premises by the public.”

Now that you know what the notion behind what Tumbleweed is, how was it executed? Pretty good. It was very small this year.  There were perhaps 8 food vendors: turkey legs, BBQ chicken and steak and veggies, kettle corn, sandwiches, shave ice, ice cream, coffee, and of course, mead, whisky, and cider. There were about 15-20 vendors: a few clothing, jewelry, soaps, crafts, and such. There were three stages with a small number of shows. There were a few guild-like exhibits, including a quilting bee. There were games of chance. There was also the “Grand Exhibition Hall of Famous Personages” — which is like the “Explorers Hall” at Nottingham with famous people brought back to life, from Jenny Lind to Annie Oakley to Kit Carson, to Sacagawea to… you get the idea.

So, the town was small and attendence was moderate — but the idea is great. A big problem with Faire is that there are so many of them, and they are all similar, and all explore the same history. This was a new historical area, and actually relevant to when it took place. Simi Valley and California epitomize the west, and towns like this did exist. With better publicity, they could be starting a new trend (further, I could image this being something that Orange Empire Rwy Museum could do quite well).

But there are dangers as well. What RenFaire has become is fantasy; it rarely presents true living history anymore. This is good, because it is accepting of all races and creeds (whereas the original Elizabethan time would be less forgiving). If there is any parodying of culture, it is parodying of Anglo-Saxon culture. When we turn to the old West, however, we run the risk of stereotypical “Cowboys and Indians”, of the Lone Ranger and Tonto, and this can be a danger. While there was freedom in the West, it also created a stereotypical view of the Native American — and care must be taken. However, done right, it can present a true picture of the relationship between Western settlers and their Native American neighbors — different from what the movies might present.

It also created the question in my mind of what other periods of living history might be ripe for equivalent events — and how might this be done without cultural approbation. Other eras have been done — just look at the successful Great Dickens Christman Fair and Victorian Holiday Party (FB) in the Bay Area. Doing a Feudal Japan Faire would probably not be a good idea. But what about Europe in the Dark Ages, well before Elizabeth. What about the mid-East in Biblical times? What about a Colonial faire? All could be quite interesting — and educational.

Coming back to Tumbleweed Township (FB): Was it a success? I can’t speak to financially for the participants, but I think it is a great idea, and we’ll certainly be back. I hope it grows, for it is an era that is worth exploring.

Tumbleweed Township (FB) runs for one more day, running 10 AM to 5 PM. Tickets are available online or at the gate. The event takes place at 3855 Alamo in Simi Valley across from the DMV!

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Observation StewNow that the highway pages are done, and the water heater is repaired, I can start some stew cooking on the stove. Loads of interesting articles in here. I’ll group them the best I can.

Things Dying and Dead, But Then Again….

  • The iPod Classic. Nine years ago, Apple introduced the iPod Classic. Last week, they introduced the iPhone 7. The iPod Classic had 160GB in a spinning hard disk, for $349. The iPhone 7 can have 256GB for almost $850. Is this the replacement for the Classic, finally? Or, is it still better to get a 7th Gen iPod Classic off eBay, or from that drawer you’ve been hiding it in, and replace the hard disk with a Tarkan board, some solid state memory (I put in 512GB), and keep the classic. Going the Tarkan route is less than $400, and gives you more memory for about the same cost. Oh, and it gives you a 3.5mm headphone jack as well, so you needn’t pay for adapters or lost AirPods. Then again, the headphone companies don’t care. They’ve got product to sell you.
  • The Colony Theatre. Oh, the poor Colony. We thought you would survive. Now you’re having to rent out your space just to stay alive. And your poor subscribers: We’re left holding the tickets for shows that we will never see (literally — there’s no way I’m gonna see Patty Duke in Mrs. Lincoln — both are dead). Will the Colony come back? At this point, I’m highly skeptical. What they need is new artistic direction, a new board, and a new way of thinking about things. Their collapse shows the perils of keeping the same leadership for far too long.
  • The Advertising Jingle. Perhaps you hadn’t noticed, but the advertising jingle is dead. Who killed it? Cover artists and the licensing of modified lyrics, that’s what. Those are more easily recognizable. So, our hats are off to you, “I’d like to teach the world to sing”, “Like a good neighbor”, and “Plop Plop Fizz Fizz”. We’re just left with the Empire Carpeting jingle.

Los Angeles Development

Sensitivity and Culture

  • Tiki Bars. Here’s an interesting question: If you were going to add a third arm to your body, where would you add it? Whoops, wrong question. Try this: Are Tiki Bars offensive to Polynesians? NPR endeavored to figure that out. It is hard to know: Tiki bars are about as close to something really Polynesian as the Chinese Food you got downtown in the 1950s and 1960s was to real Chinese food.
  • Napalm Girl. The furor yesterday was over Facebook and “Napalm Girl” — the famous photo of the napalmed Vietnamese girl. First it was taken down. Facebook banned it. Then they reversed themselves. It makes me think about a debate that occurred many many years ago when that photo was first published: Should photos like this be published? When does news value override sensitivity? These questions are still relevant today.

And the Rest…

 

 

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Observation StewThis has been a busy weekend, what with theater, working on the highway pages, cleaning the house, and hunting for a replacement car after my accident. But I do accumulate links, and they need to be cleared out periodically. Before we do, please take a moment and remember those who have given their lives so that we may have the freedoms we have in this country. Despite our flawed political candidates, the flawed presidential selection process, and the divisions created by entrenched political parties, we still have more freedoms in this country than many elsewhere in the world; many have given their lives to protect those freedoms, and to ensure others are free as well.

(pauses for a moment)

Here are the news chum links I’ve accumulated since my last news chum post:

Lastly, (a) remember to read and comment on my potential replacement cars (remember the car is for me and how I live, not how you think I should live); (b) remember that the Hollywood Fringe Festival starts Tuesday, and you should pick your shows now; (c) that tickets are now on save for November’s new Faire: Nottingham Festival (no word on Tumbleweed Township tickets yet); and (d) you have the ability to help Spring Awakening be on the Tony Awards.

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Nottingham Festival - 2015userpic=faireThis weekend, instead of going to the theatre, we went to a form of living theatre: the Nottingham Festival (FB). Nottingham is a new “old-style” Ren Faire, now in its third year. The main people behind Nottingham (other than the Kickstarter supporters, a group of which we are a member) are Jan Glasband (FB) and the good folks at Actors Rep Theatre of Simi (Simi ARTS) (FB); these are the same folks behind the excellent production of Addams Family that we saw last week. As charter supporters, we’ve been every year; this year was in a slightly larger space, and the faire has expanded to two weekends.

Those familiar with the history of RenFaire know how Faire started: In Southern California, in the hills of Agoura between Los Angeles and Ventura County. It was run by the non-profit Living History Center, and had a traditional feel. Over the years it moved and grew, going first to Paramount Ranch, then Devore, then the current location as San Gabriel Dam. “Southern”, as the Faire was styled, was run by a for-profit organization. Held in April and May, it is often hot and dry, vastly overcrowded, and at times has a very commercial feel. It is still fun to go to, but for those who attended Faire in its earliest days — it’s not the same thing. I was at Faire in Agoura a few times, going with folks from the UCLA Computer Club. My vague recollections are of a much simpler country faire, not the continual walking back and forth and the hoards of people that Faire entails these days.

I’m pleased to say that Nottingham has recaptured that old Faire feeling. I was noticing it today: a much more relaxed feeling, a lot more history, and a lot fewer outrageous costumes. My wife and I were even complemented on our garb, accumulated over the years. That has never happened before. It is friendlier. I noticed that we felt freer to sit and watch some shows: we saw some speeches by Niccolo Machiavelli (portrayed by Frank Dantona) and William Shakespeare (portrayed by Dan Will McCann (FB)*) at the Master’s Pavillion, the Merry Wives of Windsor at the John Barleycorn Stage, and Shakespeare doing a workshop of Hamlet on the Gloriana stage.
(* who I think is different than the Daniel McCann we saw many years ago at REP in The Graduate)

It’s not just me who feels this way. I was talking to a friend of mine from computer club days, who has been involved with Faire since Agoura. He commented on how this Faire was different than “Southern”: audiences tended to be appreciative and stay for entire shows. Additionally, Faire Management actually appreciated the performers and were grateful they were there (where as at “Southern” they were treated as employees, potentially out to abuse the system).

That’s not to say Nottingham is perfect yet. This year the main problem was liquid based: although there was wonderful ales, meads, and ports, and bottled water (at $4 per, with no refilling stations), and a few bottled sodas, that was it. There was no coffee, no tea, and no options other than water for those avoiding alcohol and HFCS/artificial sugar. I’m a big proponent of providing refilling stations, and given that numerous mugs and goblets are available, having a “fill your container for $2” would keep people hydrated, reduce plastic waste, and actually waste less water. Similarly, having coffee, tea, and iced tea (and perhaps chai) could be put into people’s containers and not push excessive sugar and booze. Some picnic tables would also be nice, and a slightly wider variety of food vendors would be great.

Those are all things that can be fixed next year, or perhaps even next weekend. I heartily recommend Nottingham Festival to anyone who loves Ren Faire as it used to be, back in the early days. You can still go to “Southern” when it comes around in April, but Nottingham is becoming a wonderful pre-Thanksgiving traditional in LA/Ventura Counties.

I look forward to further improvement in 2016. Huzzah!

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userpic=zombieAnd the process of cleaning out the links continues…. this collection brings together a number of stories about things that are going away… but then again:

  • Maui Potato Chips. As I’m on the island of Maui right now, let’s start with something that I’m craving, that used to be easy to find, but now is very difficult to find: The Original Maui Kettle Cook’d Potato Chips. When I was out here 30 years ago, they were everywhere (and you used to ship them back to the mainland). Today? You’re lucky to find a small bag for $7.99 in a few stores. They’ve been replaced by a knockoff chip from the state of Washington. Washington?!?!? But if you know where to look, they are still available. (but of course, I can’t eat them — I’m watching my weight and blood pressure :-( )
  • Renaissance Costumes. I’ve written before about how  the theatrical landscape in Southern California is changing due to the machinations of AEA. Many theatres have retrenched in various ways, and this is now starting to have ripple effects. AJS Costumes, a large theatrical and renaissance costumer, has started a GoFundMe to help them survive the ripple. As they write: “As you may or may not be aware, the live theater scene in Los Angeles has been going through an upheaval for the past several months.  Changes in the local 99-seat theater community are causing many theater companies to be very conservative in selecting their projects.  To avoid collapse, many theater companies are doing smaller productions, with less costume design needed, and fewer period plays. The rental business and costume design services of AJS Costumes has slowed to a trickle. This downturn has been sudden.  It has been unforeseen.  It has been devastating.   Despite this crisis, we are continuing to serve our clientele and assure you that all outstanding orders are being fulfilled.   But in order to survive, we must explore and secure new income options for our shop.”
  • Verizon Contract Plans. You may have heard that Verizon was getting rid of subsidized phone plans. That’s actually not true — it is only true for new customers. Old customers — as long as you keep renewing or have phones on the old plan — you can keep it.
  • iPod Classics. Well, they aren’t going away. You can even do as I’m thinking of doing and put in a SSD. But, alas, Apple is declaring them obsolete as of Labor Day. I’m sure you can still get them repaired, although some parts may be harder to get.

 

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userpic=faireThis has been a busy busy weekend leading into a busy busy week, complicated by migraines and business travel. But I did go to the Southern California Ren Faire on Saturday, and a report is demanded:

  • The best thing about this year’s RenFaire wasn’t the Faire itself, but the company: My cousin Cece joined us at the Faire. I haven’t spent a day with her in years, and it was just a lot of fun (especially seeing her joy while fencing).
  • Amazingly, there were no major winners of the “What were they thinking?” costume contest. Either I’ve gotten used to the bad costumes, or perhaps people are learning.
  • Due to the drought, Moonie could only use pretend fire. Understandable, but something is lost in the translation.
  • They seem to have changed the layout once again. I like how the clothing was moved towards the front, but it seemed to be forever until one ran into food and all the stages. They are also rotating artists in and out.

Ren Faire 2015

Other than that, it was a normal Southern faire.

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userpic=faireThis weekend is the 2nd Annual Nottingham Festival (FB). For those not familiar with the Nottingham Festival, it is an attempt by Faire Folks in Ventura County (especially the folks behind Actors Rep of Simi Valley) to bring back the feel of the Renaissance Faires as they existed in the days when the Faire first began at Paramount Ranch in Ventura. They did a Kickstarter about 2 years ago with plans to bring back a multi-weekend faire. They haven’t gotten to that point yet, but they did bring back a one-weekend faire last year, and another one-weekend faire this year.

Last year’s Faire had its problems. There were loads of logistic problems: the Faire opening and entry was a clusterf*k, and the layout was less than ideal. I’m pleased to say that this year the problems were gone. There were no long lines at entry; the only problem was finding the Kickstarter table for those of us that got passes this year. The opening of the Faire entertainment was good, and modulo the iPad ticket code scanners occasionally acting up, entry was a breeze.

The layout of the Faire was also much much improved. Last year, the food vendors were in this narrow corridor that was a chokepoint. This year, the food vendors were moved to the middle of the main area, where there was space for lines to form without crowding. The narrow corridor was turned into an additional vendor space. The food choices were good, although some of the ran out of food early (especially the meat pies and the cookie vendor). Hopefully that has been corrected today; they should have more food next year.

Relocating the food also meant relocating the Masters Area. Unlike what RenFaire has become, Nottingham exists for a love of history. They have a Master’s Pavillion where famous historical masters speak about their expertise. We heard an interesting talk from Michaelanglo, for example. The new location was very good.

The vendors formed an interesting mix, but more are needed. There were quite a few clothing vendors (including Hearts Delight), some leather vendors, one glassware vendor, numerous jewelry vendors, and a few woodcraft items. There were no wand vendors or pottery vendors. Hopefully, as Nottingham grows and the word spreads about it, the vendor choice will grow.

Entertainment was good: there were a variety of shows, and it looks like that variety was growing. We saw the Country Garden Dancers and Wren of Iniquity; I believe Nicole’s former group, the Parrot Cove Morris, was also performing. In the shows, I also ran into a friend from college days (Mike Urban) that I hadn’t seen in years — an unexpected boon!

One of the great things about Nottingham is that it is small. It isn’t the gigantic thing that Southern has become — it is managable. Further, it hasn’t become wacky. We did our usual looking for WTF costumes. There were precious few — a couple of iridescent fairy wings, barbarians in metal bras. But the outlandish just wasn’t there — there were no Jack Sparrows; there were no Camelot style costumes. This made things much enjoyable.

Nottingham is growing right, and I look forward to attending next year. They’ve also been good to their Kickstarter supporters — we’ve actually gotten tickets included two years in a row, although this year we didn’t learn about it until after I had bought two tickets. That’s OK — we just brought two friends with us and introduced them to the faire!

P.S.: This year … no blisters. Thank you, Five Fingers.

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userpic=faireAs you may know if you read the last paragraph of my theatre/concert write-ups, we went to the Southern California Renaissance Faire yesterday. I’d like to share some observations of the day.

They drastically changed the layout this year — ostensibly, from what I hear, due to an ADA lawsuit requiring the concrete pathways in the park to remain accessible. This resulted in all the clothing and artisan vendors being mostly congregated in two alleys in the front part of the Faire, with food seemingly much further back, games spreadout, and the stages seemingly much more hidden. I found the new layout a bit harder to navigate (partially because (as usual) they didn’t ensure that each patron got a map as they walked in), but it was nicer to have a lot of the clothes and other goodies up towards the front.

Some vendors seemed to like the layout; others thought it lead to less foot traffic and slower business. I know that some of the vendors appeared to have a much smaller crowd than I’ve seen in years past (the big Hearts Delight booth being a good example of this — they lost their usual corner spot). As we shopped, I asked vendors what they thought — some liked the layout, others thought it brought them less business.

Supposedly, the new layout gave the Faire an extra 6 acres to work with. It also made the ADA restrooms in the park available to all (and all the drinking fountains — huzzah for free water). However, what the Parks Department giveth, they also take away… the new vendor’s row evidently has to pack up quicker than the rest of the Faire because that part of the park must be open to the public by Memorial Day weekend (the Faire itself ends mid-May).

The Faire owners seemed to take advantage of the new space to bring in a lot more vendors. I saw a lot more leather vendors, a few more pottery, a few more clothing vendors, and some new jewelry vendors. However, the additional vendors really reflected the change in the Faire. There was a book vendor that was selling childrens books about pirates… and DVDs of pirate movies. There was a fair amount of steampunk accessories and clothes. I started going to the Faire in the days of Paramount Ranch and Agoura — you used to never see as much non-period stuff. This was also seen in the games — there was one where people were going into large plastic balls and rolling around. I fail to see how this fits the period.

The Faire ownership has also instituted theme weekends — and this weekend was “time traveler” weekend. There was steampunk (of course), people in Star Trek costumes, and all sorts of mish-mashes. In talking with some of the guilds up front, this was a reflection of the transformation of this Faire (the original) from real Renaissance to a more general Fantasy Faire. Although I understand why this has happened — it needed to be done to draw in the audience to support the Faire’s growth — I miss what was once there. Perhaps the fledgling Nottingham Festival  in Simi Valley will keep the original dream alive. We really need to support that effort.

With the time traveling theme, it was impossible to pick a worst outfit. Perhaps I’ve gotten jaded, but I now ignore all the fairy wings and lusty pirates running around. If there was a winner this year, it was the group of college age men, in jean shorts and T-shirts, with torn sheets over their shoulders in the manner of a toga party. RenFaire is not a Toga Party.

We really only sat through one show — Broon’s show on the Fool stage. It was very good, but he kept having to explain that Moonie was off doing a play in Chicago.

Parking was better organized this year — at least we didn’t run into the same traffic as in previous years. The porta-potties, however, seemed fewer in number and more poorly maintained. There were also more obvious smoking areas, and the food seemed further back (but there were many more tables).

I’m  sure we’ll be back next year (and of course, we’ll be at Notthingham). A P.S. for those reading this far: Erin has indicated that, after two years in Berkeley, she’s hoping to go to Northern next year, as she’ll have a car. Northern Faire Folk reading this should drop me a note if they want to get in touch with her regarding Northern.

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userpic=faireBack when I was in college, in the long ago days of the 1970s, I learned about the Renaissance Faire. There were many folks from the UCLA Computer Club who were involved with Faire, and so around 1978 or 1979 I went, for the first time, to the Faire in Agoura at Paramount Ranch. I went for a few years after that, but then stopped going. By the time I got back into going to Faire regularly (thanks to Nicole), it had moved out to Devore and grown drastically. The Faire is now in Irwindale at the Santa Fe Dam (hence, the appellation “the Dam Site”),  and we now go annually.

But the Faire that is at the Dam Site is a far cry from what it was in Agoura. You can see it in the attendees, you can see it in the broader playing to a much broader crowd. You can see it the shear size. You can see it in the greater emphasis on profit. But, for the longest time, it was the only real Faire in the heart of Southern California.  That changed today.

In early 2013, the Actor Rep of Simi Valley, in Ventura County, began an effort to bring back a regional Renaissance Faire to Southern Calfornia — back in the area where it first started. As they wrote in their kickstarter, the goal was to bring back a faire like the original. They wanted to bring back a place where visitors could “experience first hand (and hands-on) the lifestyle and handicrafts of the 16th Century.” More importantly, this faire would benefit the community: “A considerable portion of the proceeds from this non profit festival will be granted to smaller non profit agencies in the surrounding communities, and set aside for the further development of arts programs for youth.” The intent was to have the first “Nottingham Festival” (FB) in August of 2013 in Moorpark. Alas, the permitting and land acquisition process didn’t permit that to happen, and so the first “Faire” (really, a taste of Faire) was scheduled for a single weekend in November. In particular, this weekend… and we were there.

Nottingham MapSo how did they do? The first Faire was held at Rancho Tapo Park in Simi Valley. Easy to get to. Free parking. Not a lot of dust. A lot of trees. Not a lot of drinking fountains. Alas, the weather didn’t cooperate — it was a grey and occasionally drizzly day, a little cool. That’s the risk of mid-November in SoCal, but it is better than 105º!

For a first effort, they did good. There were some major problems. The gate was a snafu, with people who pre-purchased tickets still having to stand in line for up to an hour to get in — as they still had to go to the ticket window to exchange tickets for wristbands. That I write off to not anticipating the turnout they had.

[ETA: Later this evening they posted the following FB status as an update: "What a day! A bit of difficulty with how the gate ran at first, but we already have new plans that will smooth things out. The best problem to have is more people than you expected! If you purchased on line, please allow time to exchange your print out for a wristband. We are going to have people walk the lines to try and save people from waiting in line to do that exchange. Thank you for understanding our growing pains and celebrating our successes with us!"]

They also had a problem with the siting of the bulk of the food vendors — they had merchants on the other side and the walkway was just too narrow between the two.  Again, that is a learning experience that will be corrected (additionally, this isn’t the final location of the Faire — that is more likely to be Underwood Farms off Tierra Rejada in Moorpark.

A lesser problem was the merchant mix. This was likely due to the change in scheduling, and the fact that many merchants had probably committed to other Faires or wanted to see how this one would fair before making the financial committment. Many merchants were local to Simi Valley or Ventura  County (this is a good thing), including Faire favorite Hearts Delight. You can see a full list here. The mix that was there was good; I just found myself wanting more (especially this close to the holidays). Again, I expect this to be fixed in the future.

Food was good, with the usual faire items present. A big plus was the presence of Cup My Cakez  (from Santa Clarita) with delightful gluten-free vegan cupcakes. Alas, the ability to eat gluten-free didn’t carry through — most of the meat items had soy sauce or were in pastry (but Karen did find something — the pork ribs from PC’s Bar and Grill). Hopefully that will improve with a larger Faire.   The food I had (cupcake, calzone) was very good.

I found with this Faire it was much easier to interact with the guild people and learn about history. There was lots of fabric artworking on display, as well as other activities. The Faire also had a masters pavilion where a number of historical masters were present; I didn’t get a chance to explore it.  We did see a few shows — the Belles of Bedlam, the Passado Action Theatre, and Parrot Cove Morris Dance (we had been hoping it was Nicole’s Morris group — alas, it wasn’t). All were good.

Attendance at the Faire was very good — I think that Actors Rep of Simi correctly guessed that a local Ventura County faire would be a strong draw. Having the Faire in the community also helped (unlike Santa Fe Dam, which is a schlep for many). The vast majority were costumes either somewhat correctly, or at least inoffensively (I guess I’ve finally gotten used to the pirate, steampunk, and fantasy garb). The one major costume standout (which was a wonderfully executed costume, but just wrong) were the three people that beamed down from Deep Space Nine in full 24th Century Star Trek garb. I contrast this to the Dam Site Faire, where there are far too many “slutty” costumes, Jack Sparrow pirates, and costumes that just make you go “huh?”. I’ll note that the Ventura County location seemed to draw from a different socioeconomic pool, but I attribute that more to this Faire being much closer to the original Faire in concept and execution — and thus, much less likely to draw from the mass market of the SoCal basin than the Dam Site Faire does.

Ultimately, what was my assessment? For a first-time effort out the door — very good. Yes, there were a few hiccups. A wise Kindergarten teacher I once assisted once told me “The first time you do something, it’s not a mistake.” Hiccups, for a new group doing an activity like this, are to be expected and are learning opportunities for future Faires. They drew a good size crowd, they served lots of food, I didn’t hear merchants grumbling, what needed to be covered in burlap was covered in burlap, and the people I saw appeared to be having a good time. Once people got it and past the lines, I heard no growsing or complaining. Those working at Faire seemed to be loving it, and everyone seemed to be very happy to have a local Faire back in Ventura County.

In short, huzzah to Actors Rep of Simi Valley and the Simi Valley Cultural Association for pulling this off. I’m proud to have supported their Kickstarter, I look forward to the first full Faire in August 2014, and I look forward to a long history of Renaissance Faires back in the area where the Faire was born — in the hills of the Santa Monica and Santa Susanna Mountains of Southern California.

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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userpic=faireAs you know, we’re regular attendees at the Southern California Ren Faire. We’ve been going to the Faire for years, starting in Agoura, and then after a long hiatus, in Devore and now at the Santa Fe Dam. So we’re on the mailing list for the Faire, and we’ve seen how the Faire has changed over the years. We’ve seen them become less and less historic, and more and more fantasy. This is often captured through their “special events”:  we have moved from only pirate weekends to now having steampunk and time travellers, and weekends for general fantasy. They’ve even got, heavens forfend, a “wenches weekend” — their version, I guess, of a “Ladies Night”.

However, an email I received from the Faire earlier this week has to be the topper. According to this email, on April 20:

Mike the Knight™ will be making a special trip from his kingdom of Glendragon to visit his fans at the Renaissance Pleasure Faire. The young knight- in-training will be at the faire to meet and greet, have Mike the Knight storytelling and giveaways, and more!

For those who don’t know Mike the Knight, we met him a few years ago, when he was out with his buddies Thomas and Bob (the Builder) at the Orange Empire Railway Museum. Mike is an animated character from the stables of HIT entertainment (now part of Mattel). He is currently on Nick Jr. The series, according to Wikipedia, is “is about 10-year-old Mike whose father is gone to discover adventures. Looking up to his father, Mike wants to be a knight. However, he is still a knight-in-training. With his two dragon friends, Sparkie and Squirt; his rival, witch-in-training Evie; and his horse Galahad, Mike tries to be the bravest knight of all. Throughout his adventures, he learns the importance of sharing, caring, giving and understanding, with a lot of help from Evie.”

To me, the presence of Mike at Ren Faire is just another example of how the operators of Ren Faire are primarily interested in bringing in the people (and increasing the gate take), and the history side of the equation has been pushed to the side. It is there, but only for entertainment value. This is also likely why there is now an effort in Southern California to create a faire that returns more to the roots of the original Agoura faire. The organizers intend for this new faire to be non-profit; it will be interesting to see how that changes the emphasis.

Of course, I still intend to visit both faires. I just found the email about Mike the Knight just a bit over the edge, even for what SoCal Faire has become.

 

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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userpic=faireToday was our annual visit to the Southern California Renaissance Faire at the Santa Fe Dam site (hence, “the dam faire”) [although I'll note there is a small possibility of a second visit due to the Marketplace Weekend]. As such, it is time for the annual game of Pick The Worst Costume. After all these years, the Faire must be getting to me, as I’ve grown numb to the fairy wings, the pirates, the barbarians, and even many of the belly dancers that seem to show up. However, every year there are at least a few costumes that have me shaking my head.

Ren-Faire 2013In the men’s competition, we have two contestants. Contestant #1 was dressed as a barbarian, with coupious butt cheeks visible that he kept adjusting. He appeared to be creating the illusion he was commando, although one could detect a small leather thong from the side as he kept playing. Male contestant #2 was this older fellow, in a 1960s peace symbol T-shirt, with an incredibly gaudy and tacky hat.

On the female side, there were a number of folks who I didn’t get pictures of. There was the young miss in a faire-style corset with her frontsets on display… in a thin-white see-through T-shirt. There were the numerous belly-dancers that made you do double takes. There were the girls dressed as pirates, complete with beards and mustaches. But I did get pictures of a few. There was this lovely young pirate thing, exposing quite a bit of skin. But perhaps even worse was this angelic vision in high heels, wandering around the Shire.

But as I said, most of the costumes were somewhat tolerable (although, as always, I invite you to share your stories of bad costumes). The rest of the Faire was great. Moonie was hilarious as usual, especially when his Eagle Scout volunteer did unexpected things. Shopping was good and we got stuff at most of the usual places (Schulps (new mug for Karen), Oberon (in Tower of London) (new pouch for me, new belt for Karen), Hearts Delight (new bodice for Karen), Bullseye Leather and Clothing (new pants for me)), plus some new places for jewelry for Karen and Erin.

In August, we’ll hopefully be visiting a new faire: Nottingham Festival (Facebook). According to the Actors Rep of Simi, who are organizing the event:

Since the Renaissance Pleasure Faire left Agoura, there has been a desire to bring a more accessible, regional faire back to the Ventura county area. During the last two weekends of August, and the first weekend of September of 2013 (including Monday – Labor Day), the Nottingham Festival will recreate the magic and revelry of an Elizabethan field and marketplace, replete with more than 100 vendors of various goods and merchandise, over 1000 costumed entertainers, including strolling musicians and jugglers, street actors and dancers, plus horse tournaments and special events for children and adults of all ages. There will also be several performance stages featuring children’s theatre, exotic dancers, musicians, and a community theatre stage. During the week, the reenactors will offer field trips for school children who will be able to experience first hand (and hands-on) the lifestyle and handicrafts of the 16th Century. With a daily estimate of three to four thousand attendees, faire organizers; Jan Glasband; Creative Artistic Director, Josie Hirsch; Corporate Operations Officer and Andrew Elkins; General Manager, are expecting a total of about 25,000 over the course of seven days. Proceeds from the Nottingham Festival will be donated to local non profit organizations, community projects and the development of arts educational programs for youth. The festival will take place in an area adjacent to the cities of Moorpark, Simi Valley and Thousand Oaks on a 150-acre parcel of land owned by the Cassar family of Moorpark, just west of the 23 Freeway at the corner of Tierra Rejada and Moorpark Road. Those wishing to participate as a volunteer, vendor or entertainer, please contact Andrew Elkins at andrew@nottinghamfestival.com. For more information, visit our website: www.nottinghamfestival.com.

Lastly, for those in the Bay Area, Erin has indicated an interest in attending both Northern Faire and Dickens during the fall semester 2013 at UC Berkely. If you would like to get in touch with her for that, drop me a note and I’ll pass it on.

 

This entry was originally posted on Observations Along The Road (on cahighways.org) as this entry by cahwyguy. Although you can comment on DW, please make comments on original post at the Wordpress blog using the link below; you can sign in with your LJ, FB, or a myriad of other accounts. There are currently comments on the Wordpress blog. PS: If you see share buttons above, note that they do not work outside of the Wordpress blog.

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